Bibliography: Critical Writing on Ford

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Critical Writing on Ford, 1891-1999
 
For critical writing that was published from 1891 to 1999, see: David Dow Harvey, Ford Madox Ford: 1873-1939: A Bibliography of Works and Criticism (Princeton: Princeton University Press, 1962); and Max Saunders, ‘Ford Madox Ford: Further Bibliographies’, English Literature in Transition 1880-1920, 43:2 (2000), 131-205. Students should initially consult the ‘Selected Bibliography’ in the Norton Critical Edition of The Good Soldier, second edition, ed. Martin Stannard (New York: Norton, 2012).
 
Critical Writing on Ford, 2000 Onwards
 
This bibliography is split into three parts:
 
Periodical Articles;
Books Significantly Mentioning or Drawing upon Ford;
Dissertations on or Significantly Mentioning Ford.
 
Please email updates and corrections to Paul Skinner: [email protected]
 
With thanks to Emma Doolan; and to John Attridge, Alexandra Becquet, Laura Colombino, Michael Copp, Fabienne Couécou, Andrew Frayn, Sara Haslam, Rob Hawkes, Michele Gemelos, Robert Gomme, Charlotte Jones, Seamus O’Malley, Alan Munton, Petra Rau, Stephen Rogers, Max Saunders,  Johan Velter.
 
[First version of bibliography: 24 Aug. 2009; last updated Autumn 2023.] 
 
Bibliography: Critical Writing on Ford 2000 onwards

Periodical Articles
 
A
Abdalla, Venetia, '"Lauder Brunton says . . . ": The Identity of Dowell's "Someone" in The Good Soldier', Notes and QueriesThe Good SoldierThe Good Soldier, 60.2 (2013), 279-281.

Abdalla, Venetia, '"What Shall I Say About His Curry?": Ford Madox Ford in the Kitchen', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.5 (Autumn 2020), 9-27.

Abdalla, Venetia, ‘“What’s the Silly Story?”: Fathead, Ford’s Forgotten Detective’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.1 (Autumn 2018), 59–74.
 
Attridge, John, ‘The Saddest Tory’ [review essay], Modernism/modernity, 19.4 (2013), 799–803.
 
Attridge, John, ‘Steadily and Whole: Ford Madox Ford and Modernist Sociology’, Modernism/modernity, 15.2 (2008), 297–316.
 
B
Bandici, Adina, ‘The Art of Modern Narration in Ford Madox Ford’s The Good Soldier: A Tale of Passion’, Scientific Journal of Humanistic Studies, 8.14 (2016), 53–59.
 
Banin, Tali, '"The dawn, the dawn, it comes too soon": The Medieval Alba in Ford Madox Ford's Parade's End', Modernist Cultures, 18, 2 (2023), 181-196.

Barnes, Julian, ‘The Saddest Story’, ‘Review’ supplement, Guardian, 7 June 2008, 2–3.

Battersby, Doug, '"Who in This World Knows Anything of Any Other Heart?": Ford Madox Ford and the New Cardiology', Modernist Cultures, 17, 2 (2022), 246-266.
 
Beaumont, Matthew, ‘Ford Madox Ford: Autobiography, Urban Space, Agoraphobia’, Journal of Literature and Science, 2.1 (2010), 37–49.
 
Betsworth, Leon, ‘“A Serious Place”: Wyndham Lewis, Tarr, and the Café’, Textual Practice, 30.5 (2016), 725–746. [Draws on Ford’s ideas of café spaces in Provence: From Minstrels to the Machine to analyse Lewis’s Tarr.]
 
Borkett-Jones, Lucinda, ‘Anglo-German Entanglements, the Fear of Invasion, and an Unpublished Ford Manuscript’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.1 (2018), 37–49.

Bowler, Rebecca, 'Two Good Soldiers: Ford Madox Ford and May Sinclair', CUSP: Late Nineteenth and Early Twentieth Century Cultures, 1, 2 (Summer 2023), 213-229.

Brasme, Isabelle, ‘Ford Madox Ford’s Parade’s End: Ironising Edwardian England’, Etudes Britanniques Contemporaines, 49 (2015). [online]
 
Brasme, Isabelle, ‘The Imprint of War in Ford Madox Ford’s Critical Writings’, E-rea, 17.2 (2020). [online] 
 
Brice, Xavier, ‘Ford Madox Ford and the Composition of Nostromo’, Conradian, 29.2 (2004), 75–95.

​Briggs, Roman, 'Good People and Bad Faith: A(n open) Letter to John Dowell', ​Last Post: A Literary Journal from the Ford Madox Ford Society, 1.4 (Spring 2020), 89-107.

Britzolakis, Christina, ‘Pathologies of the Imperial Metropolis: Literary Impressionism as Traumatic Afterimage in Conrad and Ford’, Journal of Modern Literature, 29.1 (2005), 1–20.
 
Brooks, Neil, ‘Interred Textuality: The Good Soldier and Flaubert’s Parrot,’ Critique: Studies in Contemporary Fiction, 41.1 (1999): 45–51.

​Bruen, Garrett, 'Looking Back at the International Ford Madox Ford Studies Series: Impressions of a Relatively New Reader', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.4 (Spring 2020), 36-52.
 
C
Carver, Beci, '"Great Cool California Oranges"', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.6&7 (Spring & Autumn 2021), 84-90.

​Chapman, Siobhan, '"I don't know how it is best to put this thing down": Uncooperative narration in Ford Madox Ford's The Good Soldier ', Language and Literature 32, 4 (2023), 385-403.

Cheylan, Alice Bailey, ‘Ford Madox Ford: Travel Writing in Provence’, British and American Studies 22 (2016), 25–30.

Colombino, Laura, ‘“To Inhabit in Tranquility”: Landscape, Vision and Empathy in Ford Madox Ford’s No Enemy’, Le Simplegadi, XVII.19 (2019), 89–100.
 
Couécou, Fabienne, ‘Ford Madox Ford, England and the English. Replacer l’autre au coeur de la littérature’, temporel (Sep. 2013); online.
 
Couécou, Fabienne, ‘Ford Madox Ford, son combat pour la “paix perpétuelle’ dans No Enemy’, temporel (Apr. 2014); online.

Couécou, Fabienne, ‘Les Figures de l’arbre: England and the English. Ford Madox Ford’, temporel (Apr. 2013); online.
 
D
Davies, Laurence, 'Growing, Cooking, Eating: Ford as a Protoecologist', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.5 (Autumn 2020), 81-101.

DeCoste, Damon Marcel, ‘“A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in The Good Soldier’, Journal of Modern Literature, 31.1 (2007), 101–123.
 
Diaper, Jeremy, ‘Farming and Agriculture in Literary Modernism’, Modernist Cultures, 16.1 (2021),  86–113.

Doggett, Rob, ‘“Those were Troublesome Times in Ireland, I Understand”: Ireland, the Limits of Knowledge, and Ford Madox Ford’s The Good Soldier’, Modern Fiction Studies, 53.4 (2007), 697–721.
 
Doty, Benjamin, ‘“As a Mass, a Phenomenon so Hideous”: Crowd Psychology, Impressionism and Ford Madox Ford’s Propaganda,’ Journal of War & Culture Studies, 6.2 (2013), 169–182.

Dutton, James, ‘Cutting, Reading, Re-Membering Parade’s End’s Elliptical History’, CounterText, 7, 2 (August 2021), 263-285.

E
Erll, Astrid, ‘The Great War Remembered: The Rhetoric of Collective Memory in Ford Madox Ford’s Parade’s End and Arnold Zweig’s Der Streit um den Sergeanten Grischa’, Journal for the Study of British Cultures, 10.1 (2003), 49–75.
 
F
Flanagan, Anne Marie, ‘Ford’s Women: Between Fact and Fiction’, Journal of Modern Literature, 24.2 (2000), 235–49.
 
G
Ganguly, Sanghamitra, ‘Joseph Conrad and Ford Madox Ford: The Collaborative Works’, The Criterion 8.1 (2017), 512–521.
 
Gąsiorek, Andrzej, ‘Ford Madox Ford’s Modernism and the Question of Tradition’, English Literature in Transition, 1880–1920, 44.1 (2001), 3–27.
 
Gąsiorek, Andrzej, ‘The Politics of Cultural Nostalgia: History and Tradition in Ford Madox Ford’s Parade’s End’, Literature and History, 3rd series, 11.2 (2002), 52–77.
 
Griswold, Amy, ‘Ford Madox Ford’s The Good Soldier as Detective Story: Is Dowell a Murderer?’ English Literature in Transition, 1880–1920, 60.2 (2017), 152–166.

Guida, Michael, ‘Nature’s Sonic Order on the Western Front’, Transposition, Special Edition 2 (2020). [online]
 
Gustar, Andrew,  ‘Bad Nauheim in The Good Soldier: a Re-evaluation’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.2 (Spring 2019), 22-52.

Gustar, Andrew, 'Mr. Sorrell's Castles', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.8&9 (Spring & Autumn 2022), 20-38.

Gustar, Andrew, '"Words by F M Hueffer": A Survey of Song Settings of Ford's Poems', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.6&7 (Spring & Autumn 2021), 30-69.

H
Hampson, Robert, 'From the Soil: hunger, haute cuisine and food production', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.5 (Autumn 2020), 28-45.

Hartford, Kassandra, ‘Listening to the Din of the First World War,’ Sound Studies 3.2 (2017), 98–114.

Haslam, Sara, 'The Case of the Missing Cromwell: Ford Madox Ford, Art, Life and Letters in 1899', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.8&9 (Spring & Autumn 2022), 57-85.
 
Haslam, Sara, ‘Ford Madox Ford’s Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.1 (Autumn 2018), 1–23.

Haslam, Sara, 'The Hueffers and the Conrads in 1899', The Conradian, 47.1 (Spring 2022), 66-75.
​
Haslam, Sara, 'Losing and finding balance: food as Fordian diagnostic', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.5 (Autumn 2020), 47-57.
 
Haslam, Sara, ‘No More Parades End: Ford Madox Ford’s last library and what it tells us about “the Tietjens saga”’, ‘Commentary’, Times Literary Supplement (8 June 2018), 15–16.
 
Hawthorn, Jeremy, ‘Ernest Bramah: Source of Ford Madox Ford’s Chinese Proverb?’ Notes and Queries, 63.2 (2016), 286–288.
 
Hayman, Emily, ‘“Under Four Eyes” (Unter Vier Augen): Ford Madox Ford, Propaganda, and the Politics of Translation’, Modern Fiction Studies, 62.1 (2016), 25–52.
 
Henstra, Sarah, ‘Ford and the Cost of Englishness: “Good Soldiering” as Performative Practice’, Studies in the Novel, 39.2 (2007), 177–195.

Hibbert, Elizabeth, ‘“Modern and Modernist”: The Critical Reception of Ford Madox Ford’s Parade’s End since 1975’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.4 (Spring 2020), 7-31.

Hibbert, Elizabeth, ‘“Waves of Resurgent Interest”: The Critical Reception of Ford Madox Ford’s Parade’s End, 1924-1974’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.3 (Autumn 2019), 21-44.
 
Hoffmann, Karen A., ‘“Am I no better than a eunuch?”: Narrating Masculinity and Empire in Ford Madox Ford’s The Good Soldier’, Journal of Modern Literature, 27.3 (2004), 30–46.
 
Holmes, Frederick M., ‘Divided Narratives, Unreliable Narrators, and The Sense of an Ending: Julian Barnes, Frank Kermode, and Ford Madox Ford’, Papers on Language and Literature, 51.1 (2015), 27–50.  

J
Judd, Alan, ‘A Kind of Haunting: Ford and The Good Soldier’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.1 (Autumn 2018), 24-29.
 
K
Keithline, Anne, ‘Mistaken for Ghosts: The Gothic Trope of Catholic Superstition in Conrad and Ford’s “Romance”’, Lublin Studies in Modern Languages and Literature, 43.2 (2019), 87–96.
 
Kerr, Douglas, ‘Conrad and the Comic Turn’, Victorian Literature and Culture, 43.1 (2015), 149–168. 

Kyne, Rachel, ‘The Sound of Ford Madox Ford: War-Time, Impressionism, and Narrative Form’, ELH, 87, 1 (2020), 211-244. 
 
L
Larabee, Mark D., ‘Modernism and the Country House in Ford Madox Ford’s The Good Soldier’, English Literature in Transition, 1880–1920, 53.1 (2010), 75–94.
 
Larabee, Mark D., ‘Wampum in Ford Madox Ford’s The Good Soldier: A Native American and Modernist Artifact of Place’, The Space Between: Literature and Culture, 1914–1945, 6.1 (2010), 59–79.

Lemarchal, Dominique, 'The Milor and the Dancer in Last Post', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.8&9 (Spring & Autumn 2022), 86-106.
 
Lo Bello, Maya J., ‘Chasing Impressions: A Comparative Cultural Analysis of Impressionistic Criticism in Hungary’, Comparative Literature Studies, 56.3 (2019), 573–586. [Examines the influence of critics including Ford on the impressionistic criticism of Hungarian literary journal Nyugat]
 
Lockyer, Rebekah, ‘Ford’s Musical Legacy: Parade’s End and Wagner’, Forum for Modern Language Studies, 50.4 (2014), 426–452.
 
Loeffler, Toby Henry, ‘The “Backbone of England”: History, Memory, Landscape, and the Fordian Reconstruction of Englishness’, Texas Studies in Literature and Language, 53.1 (2011), 1–25.

Longville, Tim, ‘The Small Producer: Gardens in the Life of Ford Madox Ford. Part One: England’, Hortus: A Gardening Journal, 123 (Autumn 2017), 40-49.
​
Longville, Tim, ‘The Small Producer: Gardens in the Life of Ford Madox Ford. Part Two: France, Hortus: A Gardening Journal, 124 (Winter 2017), 45-55.

 
M
Maxwell, Mary, ‘Biala and Ford Madox Ford’s Buckshee: The Summer at Benfolly’, Yale Review, 102.3 (2014), 1–30.

Maxwell, Mary, 'Biala in Provincetown', PN Review, 46.5 (2020); online.
 
Maxwell, Mary, ‘The Way Grass Grows: Janice Biala, Ford Madox Ford and Ezra Pound’s Pisan Cantos’, PN Review, 42.2 (2015); online. 
 
McCarthy, Jeffrey Mathes, ‘“The Foul System”: The Great War and Instrumental Rationality in Parade’s End’, Studies in the Novel, 41.2 (2009), 178–200.
 
McGuire, John Thomas, ‘Filtering and Interpreting The Great War: All Quiet on the Western Front, Journey’s End, Westfront 1918, and Their Perspectives on World War I’, Quarterly Review of Film and Video, 33.7 (2016), 667–680. [Includes discussion of The Good Soldier and Parade’s End]
 
McLoughlin, Kate, ‘Interruption Overload: Telephones in Ford Madox Ford’s “4692 Padd”, A Call and A Man Could Stand Up –’, Journal of Modern Literature, 36.3 (2013), 50–68.
 
Meyer, Eric, ‘Ford’s War and (Post)Modern Memory: Parade’s End and National Allegory’, Criticism, 32.1 (1990), 81–99.
 
Meyers, Jeffery, ‘Memoirs of Conrad: Ford Madox and Company in Search of a Character’, English Literature in Transition, 1880–1920, 62.1 (2019), 95–117.
 
Moss, Gemma, ‘Music, Noise, and the First World War in Ford Madox Ford's Parade's End’, Modernist Cultures 12.1 (2017), 59–77.
 
Mulvihill, James, ‘Ford Madox Ford’s Parade’s End Tetralogy and Evelyn Waugh’s A Handful of Dust’, Notes on Contemporary Literature, 32.3 (2002), 8–9.
 
N
New, Melvyn, 'Samuel Richardson, Ford Madox Ford, and How to End a Novel', Essays in Criticism, 73, 3 (July 2023), 344-362.

O
O'Brien, Nanette, 'On Glamour and Garlic: Ford Madox Ford's Food Writing in Glossy Magazines', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.5 (Autumn 2020), 61-80.

O’Malley, Seamus, ‘Impressionist Populism? Ford, "The People", and le peuple', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.6&7 (Spring & Autumn 2021), 5-24.
 
O’Malley, Seamus, ‘Listening for Class in Ford Madox Ford’s Parade’s End’, Modernism/Modernity, 21.3 (2014), 689–714.
 
P
Park-Finch, Heebon, ‘Stoppard’s Television Adaptation of Ford Madox Ford’s Parade’s End: Process, Product, and Reception’, Adaptation: The Journal of Literature on Screen Studies, 7.3 (2014), 327–343.
 
Petherick, Simon, ‘Some Speculations on Convents in The Good Soldier’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.2 (Spring 2019), 102-108.

Pite, Ralph, 'Natural Impressions: W. H. Hudson and Edward Thomas', CUSP: Late Nineteenth and Early Twentieth Century Cultures, 1, 2 (Summer 2023), 293-316.

Poynor, David, ‘Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme’, Humanities 8.1 (2019), 30.
 
Q
Quint, David, ‘Uneasy Riders: Some Literary Modernisms and the Aristocracy’, Neohelicon, 42.1 (2015), 17–42.
 
R
Radford, Andrew, ‘The Gentleman’s Estate in Ford’s Parade’s End’, Essays in Criticism: A Quarterly Journal of Literary Criticism, 52.4 (2002), 314–32.
 
Reynier, Christine, ‘Musing in the Museums of Ford’s Provence’, Word & Image: A Journal of Verbal/Visual Enquiry, 30.1 (2014), 57–63.
 
Ricketts, Harry, ‘Quintet: Five Versions of Ford Madox Ford’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.2 (Spring 2019), 11-21.

Roberts, Tony, ‘The Last of England: Four Portraits of Ford Madox Ford’, PN Review, 38 (May–June, 2012), 57–60.

Roberts, Zachary J. ‘On Michael Fried and Literary Impressionism’, Raritan, 39.4 (2020), 47–63.
 
Rodden, John, ‘Of Tales and Tellers: Trust—but verify,’ Culture and Society 54.6 (2017), 560–563.
 
Rogers, Stephen, ‘C. H. Sisson and Ford: sinking “into the arms of an octopus”’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.3 (Autumn 2019), 1-13.
 
Rogers, Stephen, ‘Ford Madox Ford’s English Review and the Launching of Modernism’, Letteratura e Letterature, 8.1 (2014), 59–70.
 
Rosenquist, Rod, ‘A Transatlantic “Field of Stars”: Redrawing the Borders of English Literature in the Late Nineteenth Century’, Critical Survey, 27.3 (2015), 105–123. [Examines Ford’s hand-drawn map of the English coast near Romney Marsh as early version of celebrity ‘star map’]
 
Rosenquist, Rod, ‘The Ordinary Celebrity and the Celebrated Ordinary in 1930s Modernist Memoirs,’ Genre 49.3 (2016), 359–383. 
 
Rybicki, Jan, David Hoover and Mike Kestemont, ‘Collaborative Authorship: Conrad, Ford and Rolling Delta,’ Literary and Linguistic Computing 29.3 (2014), 422-431.
 
S
Sarikaya-Şen, Merve, ‘The Trauma of Betrayal in Ford Madox Ford’s The Good Soldier,’ Gaziantep University Journal of Social Sciences 17.2 (2018), 479–486.
 
Saunders, Max, '"Across Something": Impressionist Effects', CUSP: Late Nineteenth and Early Twentieth Century Cultures, 1, 2 (Summer 2023), 170-191.

Saunders, Max, ‘Authors Take a Stand on the Irish War: Virginia Woolf, Ford Madox Ford, and the Rediscovery of a Significant Document for the Politics of Modernism’, Literature & History, 32, 1 (Aug. 2023), 63-77.

Saunders, Max, 'Ford in 1922', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.8&9 (Spring & Autumn 2022), 1-19.

Saunders, Max, ‘Life Writing, Fiction and Modernism in British Narratives of the First World War’, RUSI Journal, 159.4 (Aug. 2014), 106–111.

Saunders, Max, '"Rotten Work of Genius": Ford Madox Ford and D. H. Lawrence', Cambridge Quarterly, 51, 2 (2 June 2022), 106-123.

​Scourfield, David, ‘Classical In/stabilities: Virginia Woolf, Ford Madox Ford, and the Great War’, Classical Receptions Journal, 10.4 (2018), 435–457.
 
Sharma, Deepak, ‘The Politics of Fixed Internal Focalization in Ford Madox Ford’s The Good Soldier’, Janabhawana Research Journal, 1.1 (2016), 23–35.
 
Skinner, Paul, ''Good Between the Sticks": Cricketing Ford', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.6&7 (Spring & Autumn 2021), 98-119.

Skinner, Paul, 'Heavenly Sandwiches and Corporal Replenishment', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.8&9 (Spring & Autumn 2022), 107-126.

Skinner, Paul, ‘The Most Silent Man – Ford’s Gilbert Cannan’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.3 (Autumn 2019), 53-76.

Skinner, Paul, '"On the edge": a few notes on Ford Madox Ford and Walter de la Mare', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.4 (Spring 2020), 75-88.

Skinner, Paul, ‘“One of the main passions of humanity”: Furnishing Ford’, Last Post: A Literary Journal from the Ford Madox Ford Society, 1.2 (Spring 2019), 60-81.

​Snaith, Anna, ‘Introducing Mulk Raj Anand: The Colonial Politics of Collaboration’, Literature & History, 28.1 (2019), 10–26. [Analyses Ford’s introduction to Jean Rhys’s The Left Bank and Other Stories in comparison to other white, male, metropolitan modernists introductions to texts by colonial authors]

Srivastava, Neerav, ‘Romance and Fiduciary Relationships Between Joint Authors and/or Co-Owners of Copyright,’ Intellectual Property Journal, 32.3 (2020), 249–290. [Ford and Conrad’s collaboration a key example]

Stannard, Martin, 'Food For Thought: Ford and Fine Dining', Last Post: A Literary Journal from the Ford Madox Ford Society, 1.5 (Autumn 2020), ​102-123.

Stannard, Martin, ‘Ford, Biala and Politics’, PN Review 262 (November-December 2021), 20-23.
 
Steedley, Elizabeth, ‘Fordian Confiteor: Catholicism and Social Disengagement in The Good Soldier’, Twentieth Century Literature, 61.2 (2015), 173–208.
 
Stokoe, Brian, ‘Viewing the Metropolis: The Experience of London by Bus’, The London Journal: A Review of Metropolitan Society Past and Present, 41.2 (2016), 150–169.
 
T
Tóibín, Colm, ‘The Art of Being Found Out’, London Review of Books (20 Mar. 2008), 24–27.
 
Trotter, David, ‘Ford Against Joyce and Lewis’, The Critical Quarterly, 52.s1 (2010), 113–122.
 
Troy, Michele K., ‘Double Trouble: The Hueffer Brothers and the Artistic Temperament’, Journal of Modern Literature, 26.3/4 (2003), 28–46.
 
U
Utell, Janine, ‘On Chesil Beach and Fordian Technique: Intertextuality, Intimacy, Ethical Reading’, Journal of Modern Literature, 39.2 (2016), 89–104. [Ian McEwan’s use of Fordian technqiues, esp. The Good Soldier]
 
V
Van Puymbroeck, Birgit, ‘Between the Individual and the Collective: Ford Madox Ford, Peter Kropotkin and the Spirit of Collaboration’, Neophilologus, 97.1 (2013), 231–244.
 
W
Walker, Robert G., ‘Two Cruces in Ford’s Some Do Not …’, Notes and Queries, 64.1 (2017), 161–164.

Walters, Harriet, ‘Rural Ritual, Gardened Faith: Ford Madox Ford’s Memorial Plots’, Modernist Cultures, 16.2 (2021), 242–264.
 
White, Edmund, ‘The Panorama of Ford Madox Ford’, New York Review of Books, 58.5 (24 Mar. 2011), 29–30, 32.
 
Wiesenfarth, Joseph, ‘Ford’s Joseph Conrad: A Personal Remembrance as Metafiction: Or, How Conrad Became an Elizabethan Poet’, Renascence, 53.1 (2000), 43–60.
 
Wong, Amy R., ‘Late Victorian Novels, Bad Dialogue, and Talk’, Narrative, 27.2 (2019), 182–200. [Discusses The Inheritors alongside George Meredith’s One of Our Conquerors]


Books and Book Chapters Significantly Mentioning or Drawing upon Ford

A
Abdalla, Venetia, ‘The Good Soldier: A Tale of Poison. Lethal Little Bottles in the Work of Ford Madox Ford and Violet Hunt’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 197–212.
 
Abdalla, Venetia, ‘“That Neurasthenia Joke”: Degeneration and Eugenics in the Work of Ford Madox Ford and Violet Hunt’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 141–158.
 
Aji, Hélène, ‘Letters to and from Toulon: Ford Madox Ford and Ezra Pound’s Provençal Connections’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 165–178.

Amalfitano, Paolo, ‘A Hidden Tragedy: The Good Soldier’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 194-201.
 
Andrew, Jason, ‘Ford + Biala: A Long and Passionate Dialogue’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 215–233.
 
Andrew, Jason, ‘In Provence: The Life of Ford Madox Ford and Biala’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 179–192.

Ascari, Maurizio, ‘Mapping the Private Life and the Literary Canon: Ford Madox Ford’s Mightier Than the Sword’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 73-79.

Asquith, Mark S., ‘Francis Hueffer and the Early Reception of Richard Wagner’s Aesthetics in England’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 135-147.
 
Attridge, John, ‘Ford’s The Good Soldier’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Attridge, John, ‘“I Don’t Read Novels… I Know What’s in ’em”: Impersonality, Impressionism and Responsibility in Parade’s End’, in Impersonality and Emotion in Twentieth-Century British Literature, ed. Christine Reynier and Jean-Michael Ganteau (Montpellier: Université Montpellier III, 2005).
 
Attridge, John, ‘Liberalism and Modernism in the Edwardian Era: New Liberals at Ford’s English Review’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 169–183.
 
Attridge, John, ‘“A Taboo on the Mention of Taboo” Taciturnity and Englishness in Parade’s End and André Maurois’ Les Silences du Colonel Bramble’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014),  23–35.
 
Attridge, John, ‘“We Will Listen to None but Specialists”: Ford, the Rise of Specialization, and the English Review’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 29–41.
 
Ayers, David, ‘Beyond the Pleasure Principle: The Rash Act and Henry for Hugh’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 159–183.
 
B
Bachner, Sally, ‘The Seeing Eye’: Detection, Perception and Erotic Knowledge in The Good Soldier’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 103–116.
 
Baden, Corwin, ‘Richard Hughes: Ford’s “Secret Sharer”’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 203–210.
 
Bains, Christopher, ‘Poetic Triangulations: Ford, Pound, and the French Literary Tradition’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 77–84.
 
Baldick, Chris, The Oxford English Literary History: Volume 10: 1910–1940: The Modern Movement (Oxford: Oxford University Press, 2004). [Ford indexed.]
 
Barleben, Dale, ‘High Modernist Challenges to Legal Authority in Ford and Joyce’, Staging the Trials of Modernism: Testimony and the British Modern Literary Consciousness (Toronto: University of Toronto Press, 2017).
 
Barnes, Julian, ‘Ford’s The Good Soldier’, ‘Ford and Provence’, and ‘Ford’s Anglican Saint’, Through the Window: Seventeen Essays (And One Short Story) (London: Vintage, 2012).
 
Barnes, Julian, ‘Ford and Provence’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 153–163.

Battaglia, Beatrice, ‘Lawrence Durrell, Ford Madox Ford and Robert Louis Stevenson’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002),  157-167.

Beasley, Rebecca, Russomania: Russian Culture and the Creation of British Modernism, 1881–1922 (Oxford: Oxford University Press, 2020). [Chapter 2: ‘Aspects of the Novel: The English Review, the Anglo-Russian Convention, and Impressionism’]
 
Becquet, Alexandra (ed), ‘“Ford Madox Ford” by Nathan Asch’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 225–243.
 
Becquet, Alexandra, ‘Ford Madox Ford, compositeur: un regard “impressionniste” sur la Grande Guerre’, in Mutations et adaptations: le XXe siècle, ed. Alexandra Becquet and Claire Conilleau (Paris: Collection CIES-Sorbonne – Nouveau Monde éditions, 2009).
 
Becquet, Alexandra, ‘Impressionist Confusion, Dissolving Landscape: Reconstructing Provence’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 119–131.
 
Becquet, Alexandra, ‘Modernity, Shock and Cinema: The Visual Aesthetics of Ford Madox Ford’s Parade’s End’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 191–204.
 
Becquet, Alexandra and Claire Davidson (eds), Ford Madox Ford's Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris (Amsterdam: Rodopi, 2016).
 
Belsey, Catherine, ‘The Good Soldier: Ford’s Postmodern Novel’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Rodopi, 2015), 31–45.
 
Bennett, Andrew, ‘A World Without Meaning: Ford Madox Ford and Modernist Suicide,’ Suicide Century: Literature and Suicide from James Joyce to David Foster Wallace (Cambridge: Cambridge University Press, 2017).
 
Berberich, Christine, ‘A Modernist Elegy to the Gentleman? Englishness and the Idea of the Gentleman in Ford’s The Good Soldier’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 195–209.
 
Bergonzi, Bernard, ‘Fiction and History: Rereading The Good Soldier’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 149–158.
 
Bergonzi, Bernard, ‘Ford and Graham Greene’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 211–215.
 
Berrahou-Anzuini, Zineb, ‘“At Home in Germany”: Ford as “the Desirable Alien”’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 63-85.

Bickley, Pamela, ‘Ford and Pre-Raphaelitism’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 59–78.
 
Blacklock, Mark, The Emergence of the Fourth Dimension: Higher Spatial Thinking in the Fin de Siècle (Oxford: Oxford University Press, 2018).
 
Bock, Martin, 'Secret Sharing: Conrad, Ford and Neurasthenia', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 111-132.

Bonikowski, Wyatt, ‘Transports of a Wartime Impressionism: Ford Madox Ford’s Parade’s End’, Shell Shock and the Modernist Imagination: The Death Drive in Post-World War I British Fiction (Farnham: Ashgate, 2013).

Borkett-Jones, Lucinda, ‘“My Friend the Enemy”: Ford’s Construction of the German Other in Wartime’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 87-104.
 
Boulter, Jonathan, ‘“After . . . Armageddon”: Trauma and History in Ford Madox Ford’s No Enemy’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 77–90.
 
Bowler, Rebecca, ‘Hospitality, Nostalgia, and the Itinerant Hero(ine) in Dorothy Richardson’s Pilgrimage and Ford Madox Ford’s Parade’s End’, in Security and Hospitality in Literature and Culture: Modern and Contemporary Perspectives, ed. Jeffrey Clapp and Emily Ridge (New York: Routledge, 2016).
 
Bowler, Rebecca, Literary Impressionism: Vision and Memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair (London: Bloomsbury, 2016).
 
Boyd-Maunsell, Jerome, ‘Ford and Life-Writing’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).

Brasme, Isabelle, ‘Articulations of Femininity in Parade’s End’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 173–185.
 
Brasme, Isabelle, ‘Between Impressionism and Modernism: Some Do Not. . ., a poetics of the Entre-deux’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 189–199.
 
Brasme, Isabelle, ‘“A caricature of his own voice”: Ford and Self-Editing in Parade’s End’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 243–252.
 
Brasme, Isabelle, ‘Ford, Modernism, and Postmodernism’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Brasme, Isabelle, ‘From Disfigured to Transfigured Past: Memory and History in The Good Soldier’, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 79–90.
 
Brasme, Isabelle (ed.), Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity (Montpellier: Presses universitaires de la Méditerranée, 2020).
 
Brasme, Isabelle, ‘Musicality in Ford Madox Ford’s Parade’s End: Towards Modernity’, in Essays on Music and Language in Modernist Literature: Musical Modernism, ed. Katherine O’Callaghan (New York: Routledge, 2018).
 
Brasme, Isabelle, Parade’s End de Ford Madox Ford: vers un esthétique de la crise (Montpellier: Presses universitaires de la Méditerranée, 2016).
 
Brasme, Isabelle, ‘Towards an Ethics of Singularity: The Shattered Mirror of Identity in Ford Madox Ford’s Parade’s End’, in Ethics of Alterity, Confrontation and Responsibility in 19th- to 21st-Century British Literature (Montpellier: Presses universitaires de la Méditerranée, 2013).

Brasme, Isabelle, Writers at War: Exploring the Prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden (Abingdon: Routledge, 2023)

Brockington, Grace (ed.), Internationalism and the Arts at the Fin de Siècle (New York: Peter Lang, 2009). [Contains Petra Rau, ‘The Trouble with Cosmopolitans: Ford and Forster Between Nation and Internationalism’, an early version of chp. 2 of Rau’s English Modernism, National Identity and the Germans, 1890–1950 (see below).]
 
Brooker, Peter, and Andrew Thacker (eds), The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland, 1880–1955 (Oxford: Oxford University Press, 2009).
 
Brooker, Peter, Andrzej Gąsiorek, Deborah Longworth and Andrew Thacker (eds), The Oxford Handbook of Modernisms (Oxford: Oxford University Press, 2010).
 
Brown, Dennis, ‘“But One is English”: Ford’s Poetry 1893–1921’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 255–274.
 
Brown, Dennis, ‘Remains of the Day: Tietjens the Englishman’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 161–174.
 
Brown, Dennis, and Jenny Plastow (eds), Ford Madox Ford and Englishness (Amsterdam: Rodopi, 2006).
 
Brown, Nicholas, ‘The Good Soldier and Parade’s End: Absolute Nostalgia’, Utopian Generations: The Political Horizon of Twentieth-Century Literature (Princeton: Princeton University Press, 2005).
 
Brunton, Elizabeth, ‘Affairs of the Heart: Illness and Gender Subversion in The Good Soldier’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 149–163.
 
Brunton, Elizabeth, ‘Ford and Gender’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Buelens, Geert, Europa Europa!: over de dichters van de Grote Oorlog (Baarn: Ambo, 2009). [Ford mentioned on pp. 12–14, 27, 76, 98–99, 128–29, 185–86, 279.]
 
Burns, Edward M. (ed.), Questioning Minds: The Letters of Guy Davenport and Hugh Kenner, two volumes (Berkeley: Counterpoint Press, 2018). [Ford indexed.]
 
Burton, Richard, A Strong Song Tows Us: The Life of Basil Bunting (Oxford: Infinite Ideas, 2013). [transatlantic review period]
 
Byatt, A. S., Portraits in Fiction (London: Chatto and Windus, 2001). [pp. 11–17 on The Fifth Queen.]
 
C
Calderaro, Michela A., ‘Ford Madox Ford: No More Parades and the Modernist Approach to Punctuation’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W Rademacher (Hamburg: Lit Verlag, 2002), 104-111.
 
Calderaro, Michela A., ‘Language Disturbances and Freudian unheimlich in The Good Soldier’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002),  215-221.

Carabine, Keith, and Max Saunders (eds), Inter-Relations: Conrad, James, Ford, and Others (New York: Columbia University Press, 2003).
 
Carr, Helen, The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists (London: Jonathan Cape, 2009).

Carver, Beci, 'The Economics of Generosity in Ford, Conrad and Keynes', in British Literature in Transition, ed. James Purdon (Cambridge: Cambridge University Press, 2021), 381-393.

Caserio, Robert L., ‘Ford Madox Ford, his Fellow Writers, and History: Another Tale of Shem and Shaun’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 79-93.
 
Caserio, Robert L., ‘Ford’s and Kipling’s Modernist Imagination of Public Virtue’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 175–190.
 
Caserio, Robert L., ‘Joseph Conrad, Ford Madox Ford, and Virginia Woolf’, in The Cambridge Introduction to British Fiction, 1900–1950, ed. Robert L. Caserio (Cambridge: Cambridge University Press, 2019), 58–68.
 
Chambers, Helen, ‘“A Conrad Archipelago Replete with Islands”: Edwardian Reading Communities’, Conrad’s Reading: Space, Time, Networks (Cham: Palgrave Macmillan, 2018). [Includes analysis of The Inheritors]
 
Chambers, Helen, ‘Elsie Martindale and Joseph Conrad, Readers, Critics, Co-writers’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 43-59.

Chambers, Helen, “Le Traducteur E. M. (une Femme)”: Conrad, the Hueffers and the 1903 Maupassant Translations’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 155–173.
 
Chantler, Ashley, ‘Editing Ford Madox Ford’s Poetry’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 253–265.
 
Chantler, Ashley, ‘Ford as Poet’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Chantler, Ashley, ‘Ford Madox Ford and the Troubadours’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 203–216.
 
Chantler, Ashley, ‘Ford’s Pre-War Poetry and the “Rotting City”’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 111–129.
 
Chantler, Ashley, ‘Image-Music-Text: Ford and Impressionist Lyric’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 71–84.
 
Chantler, Ashley, ‘“In This Dead-Dawning Century”: Ford Madox Ford’s Edwardian Poetry’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 91–103.
 
Chantler, Ashley, ‘Robert Lowell on Ford Madox Ford’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 239–247.
 
Chantler, Ashley, and Rob Hawkes (eds), Ford Madox Ford’s Parade’s End: The First World War, Culture, and Modernity (Amsterdam and New York: Rodopi, 2014).
 
Chantler, Ashley, and Rob Hawkes (eds), An Introduction to Ford Madox Ford (Farnham: Ashgate, 2015).
 
Chantler, Ashley, and Rob Hawkes (eds), War and the Mind: Ford Madox Ford’s Parade’s End, Modernism, and Psychology (Edinburgh: Edinburgh University Press, 2015).
 
Charbonnier, Gil, ‘Ford Madox Ford and Valery Larbaud: Critical Convergences’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 57–76.
 
Charlesworth, Michael, ‘Panorama, the Map, and the Divided Self: No Enemy, No More Parades, and Tolkien’s The Lord of the Rings’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 95–106.
 
Cheng, Vincent, ‘English Behaviour and Repression: A Call: The Tale of Two Passions’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 105–131.

Cheng, Vincent J., ‘Joyce and Ford Madox Ford’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 68-78.
 
Cheng, Vincent J., ‘The Nightmare History and the Burden of the Past’, Amnesia and the Nation: History, Forgetting, and James Joyce (Cham: Palgrave Macmillan, 2018).
 
Chimirri, Cara, ‘“The End is Where We Start from”: Spatial Aspects of Retrospection in The Good Soldier and In Parenthesis’, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 241–252.
 
Christensen, Peter G., ‘Contrasting “Condition of the Country” Novels: Ford Madox Ford’s Parade’s End and Boris Pasternak’s Doctor Zhivago’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 19–29.
 
Cianci, Giovanni, ‘Three Memories of a Night: Ford’s Impressionism in the Great London Vortex’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 47–58.
 
Ciceri, Matrina, ‘Converging Orbits: Ford Madox Ford, Russian Paris and the Motifs of Expatriation’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 59–79.

Claes, Koenraad, ‘Parade’s End and the Modernist Legacy of Nineteenth-Century Literary Toryism’, in Literary and Cultural Alternatives to Modernism: Unsettling Presences, ed. Kostas Boyiopoulos, Anthony Patterson and Mark Sandy (New York: Routledge, 2019), 229–246.
 
Clasen, Peter and Max Saunders, ‘Ford’s Parade’s End’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Cobley, Evelyn, ‘Efficiency and Perverse Outcomes: Ford Madox Ford’s The Good Soldier’, Modernism and the Culture of Efficiency: Ideology and Fiction (Toronto: University of Toronto Press, 2009).
 
Coetzee, J.M., ‘Introduction to Ford Madox Ford’s The Good Soldier,’ in The Best Australian Essays 2016, ed. Geordie Williamson (Carlton: Black Inc., 2016). [Originally the introduction to a Spanish edition of The Good Soldier]  
 
Cohen, Debra Rae, ‘Citizenship in the Salon: The Public Private War of Violet Hunt’, Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction (Boston: Northeastern University Press, 2002).
 
Cole, Sarah, ‘Homoerotic Heroics, Domestic Discipline: Conrad and Ford’s Romance’, Modernism, Male Friendship and the First World War (Cambridge: Cambridge University Press, 2003).
 
Colombino, Laura (ed.), Ford Madox Ford and Visual Culture (Amsterdam and New York: Rodopi, 2009).
 
Colombino, Laura, Ford Madox Ford: Vision, Visuality and Writing (Oxford: Peter Lang, 2008).
 
Colombino, Laura, Ford Madox Ford: Visione/Visualità e Scrittura (Naples: Edizioni Scientifiche Italiane, 2003).
 
Colombino, Laura, ‘Ford, Matisse and the Book of the Dead: The (In)visible Objects of The Rash Act and Henry for Hugh’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 235–250.
 
Colombino, Laura, ‘Ford, Vision, and Media’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Colombino, Laura, ‘Ford’s Urban Spaces’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Colombino, Laura, ‘The Ghostly Surfaces of the Past: A Comparison of Ford’s Works and A. S. Byatt’s The Virgin in the Garden’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 237–248.
 
Colombino, Laura, ‘The Imagination of Space: Ford Madox Ford and France’, in Franco-British Cultural Exchanges, 1880–1940: Channel Packets, ed. Andrew Radford and Victoria Reid (Basingstoke: Palgrave Macmillan, 2012).
 
Colombino, Laura, ‘Negotiating with Gaugin’s “Solar Myth”: Art, Ecomony and Ideology in Ford Madox Ford’s Provence’, in Anglo-American Modernity and the Mediterranean, ed. Caroline Patey, Giovanni Cianci and Francesca Cuojati (Milan: Cisalpino Instituto Editoriale Universitario, 2006).

Colombino, Laura, ‘Photography and Other Simulacra in The Good Soldier’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002),  209-214.
 
Colombino, Laura, and Max Saunders (eds), The Edwardian Ford Madox Ford (Amsterdam and New York: Rodopi, 2013).
 
Conroy, Mark, ‘A Map of Tory Misreading in Parade’s End’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 175–190.
 
Cook, Cornelia, ‘Constructions and Reconstructions: No Enemy’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 191–205.
 
Cooper, Harriet Y., ‘The Duality of Ford’s Historical Imagination’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 189–199.
 
Copp, Michael, Ford Madox Ford: Impressions of War, War Poets series no. 26 (London: Cecil Woolf, 2011).
 
Couécou, Fabienne, ‘Ford Madox Ford’s England and the English: The Language of the Troubadours or Englishness Revisited’, in Cross-Cultural Encounters Between the Mediterranean and the English-Speaking Worlds, ed. Christine Reynier (Bern: Peter Lang, 2011).
 
Coyle, John, ‘Ford, James and Daudet: The Charming Art of Touching Up the Truth’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 251–258.
 
Coyle, John, ‘Mourning and Rumour in Ford and Proust’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 113–120.
 
Cuddy-Keane, Melba, ‘July 4 to August 4: Paradigmatic and Palimpsestic Plots in The Good Soldier’, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 47–61.
 
D
Davenport, Tony, ‘From What Maisie Knew to The Simple Life Limited: James’s Late Fiction and Ford’s Social Comedy’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 7–30.
 
Davies, Laurence, ‘Dissolving Views, or, the Lives of “Bad, Mad Bosphorus”’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 95–114.
 
Davies, Laurence, ‘Ford’s Early Fiction and “Those Queer Effects of Real Life”’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 185–204.

Davies, Laurence, ‘So Far and Yet so Near: Ford and the Otherness of History’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 175-192.
 
Davis, Philip, ‘The Saving Remnant’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 21–35.
 
De Bont, Leslie, ‘From the Priest to the Therapist: Secrecy, Technique and Language in Ford Madox Ford’s A Call and May Sinclair’s Anne Severn and the Fieldings’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 171–184.
 
De Bont, Leslie, ‘“I am so near to all these people”: Narrative Alterity in Ford’s The Good Soldier and Sinclair’s Tasker Jevons’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 155-172.

Deer, Patrick, ‘Ford Madox Ford’s Parade’s End and the Recovery of Strategic Vision’, Culture in Camouflage: War, Empire, and Modern British Literature (Oxford: Oxford University Press, 2009).
 
Deer, Patrick, ‘“Scattered but All Active”: Ford Madox Ford and Transatlantic Modernism’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 69–84.
 
Delbanco, Nicholas, ‘An Old Man Mad About Writing’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 219–232.
 
Deutsch, David, British Literature and Classical Music: Cultural Contexts 1870–1945 (London: Bloomsbury, 2015). [Discusses Parade’s End, Memories and Impressions, When Blood is Their Argument]
 
Dodman, Trevor, ‘“Not Yet Diagnosed Nervous”: Ford Madox Ford’s Parade’s End Tetralogy’, Shell Shock, Memory, and the Novel in the Wake of World War I (New York: Cambridge University Press, 2015).
 
Dryden, Linda, Joseph Conrad and H.G. Wells: The Fin-de-Siècle Literary Scene (Basingstoke: Palgrave Macmillan, 2015).
 
Dutta-Flanders, Reshmi, ‘Manipulated Context,’ The Language of Suspense in Crime Fiction: A Linguistic Stylistic Approach (London: Palgrave Macmillan, 2017). [Analysis of The Good Soldier]
 
E
Easingwood, Peter, ‘Anecdote as a Resource in the Writings of Ford Madox Ford’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 22-29.

Easingwood, Peter, ‘“What I am Always Wanting to Say”: Ford Madox Ford and the English “Literary Myth”’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 119–136
 
Edwards, Colin, ‘City Burlesque: The Pleasures of Paranoia in Ford’s Mister Bosphorus and the Muses’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 93–109.
 
Edwards, Colin, ‘Dancing in the Mud: Bunting’s Documentary Tradition and the Anecdotage of Ford Madox Ford’, in Moment of Earth: Poems and Essays in Honour of Jeremy Hooker, ed. Christopher Meredith (Aberystwyth: Celtic Studies, 2007).
 
Eliot, Valerie, and Hugh Haughton (eds), The Letters of T. S. Eliot: Volume I: 1898–1922: Revised Edition (London: Faber and Faber, 2009). [Ford mentioned in several letters.]
 
Eliot, Valerie, and Hugh Haughton (eds), The Letters of T. S. Eliot: Volume 2: 1923–1925 (London: Faber and Faber, 2009). [Seven letters from Eliot to Ford; Ford mentioned in several others.]
 
Erkkila, Betsy (ed.), Ezra Pound: The Contemporary Reviews (Cambridge: Cambridge University Press, 2011).
 
Enderwitz, Anne, Modernist Melancholia: Freud, Conrad and Ford (Basingstoke: Palgrave Macmillan, 2015). [Chapter 3 on The Good Soldier, Chapter 4 on The Inheritors & Romance]
 
Evans, Geraint, ‘Modernity and the Technology of Communication in Ford Madox Ford’s A Call and Henry James’s In the Cage’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 159–170.
 
F
Federici, Annalisa, ‘The transatlantic review and the Nouvelle Revue Française – between Tradition and Modernity: The Ford-Larbaud-Joyce Connection’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 115–128.
 
Ferguson, Rex, ‘The Good Soldier and the Good Reader’, Criminal Law and the Modernist Novel: Experience on Trial (Cambridge: Cambridge University Press, 2013).
 
Fielding, Heather, ‘What Carries the Novel: Ford Madox Ford, Impressionist Connectivity, and the Telephone,’ Novel Theory and Technology in Modernist Britain (Cambridge, Cambridge University Press, 2018).
 
Flanagan, Anne Marie, ‘Poised “between anger and irony”: Ford’s Representation of Lady Mary’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 31–39.
 
Flanagan, Christine (ed.), The Letters of Flannery O’Connor and Caroline Gordon (Athens: University of Georgia Press, 2018). [Ford indexed.]
 
Foley, Matt, Haunting Modernisms: Ghostly Aesthetics, Mourning, and Spectral Resistance Fantasies in Literary Modernism (Cham, Palgrave Macmillan, 2017).

Foley, Matt and Rebecca Duncan, ‘Patrick McGrath and Passion: the Gothic Modernism of Asylum and Beyond’, in Patrick McGrath and His Worlds: Madness and the Transnational Gothic, eds. Matt Foley and Rebecca Duncan (London: Routledge, 2020), 103–115.
 
Fortunati, Vita, 'Biography and Fiction in Ford's Joseph Conrad: A Personal Remembrance', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 149-160.

Fortunati, Vita, ‘The epistemological malaise of the narrator character in Ford, Conrad, Pirandello and Svevo’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 271–285.
 
Fortunati, Vita, ‘Ford Madox Ford’s Art Criticism as a Reservoir for His Narrative Poetics’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 39–50.

Fortunati, Vita, ‘Ford’s Art of Reading: Rethinking the Canon as a Trans-Historical Textual Community’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 63-72.
 
Fortunati, Vita, ‘The Impact of the First World War on Private Lives: A Comparison of European and American Writers (Ford, Hemingway, and Remarque)’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 53–64.
 
Fortunati, Vita, and Elena Lamberti (eds), Ford Madox Ford and ‘The Republic of Letters’ (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002).

Fothergill, Anthony, '"For to End Yet Again": Suicide in the Stories of Joseph Conrad and Ford Madox Ford', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 179-208.
 
Fowles, Anthony, Ford Madox Ford: The Principal Fiction (London: Greenwich Exchange, 2002).
 
Frayn, Andrew, ‘Ford and the First World War’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).

Frayn, Andrew, ‘Ford Madox Ford, Parade’s End (tetralogy, 1924–1928)’, Handbook of British Literature and Culture of the First World War, eds. Ralf Schneider and Jane Potter (De Gruyter, 2021), 253-266.

Frayn Andrew,  ‘"It was in that way that we used to talk, in July, 1914, of Armageddon": Wartime in Ford Madox Ford’s Parade’s End Tetralogy', in Literature and Modern Time, ed. Trish Ferguson (London: Palgrave Macmillan), 25-49.
 
Frayn, Andrew, ‘“This Battle Was not Over”: Parade’s End as a Transitional Text in the Development of “Disenchanted” First World War Literature’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 201–216.
 
Frayn, Andrew, Writing Disenchantment: British First World War Prose, 1914–30 (Manchester: Manchester University Press, 2014).
 
Freedman, Ariela, ‘Death Watch: Lawrence, Ford, and Freud’, Death, Men, and Modernism: Trauma and Narrative in British Fiction from Hardy to Woolf (New York: Routledge, 2003).

Freeman, Nicholas, Conceiving the City: London, Literature, and Art 1870–1914 (Oxford: Oxford University Press, 2007).
 
Freeman, Nick, ‘Not “Accuracy” but “Suggestiveness”: Impressionism in The Soul of London’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 27–40.
 
Fried, Michael, and Charles Palermo, 'Ford’s Impressionism’, What Was Literary Impressionism? (Cambridge, Massachusetts: Harvard University Press, 2018).
 
G
Gallix, François (ed.), The Good Soldier: Ford Madox Ford, preface by Julian Barnes, introduction by Max Saunders (Paris: Ellipses, 2005).
 
Gąsiorek, Andrzej, “‘A Haughty and Proud Generation’”, A History of Modernist Literature (Oxford: Blackwell, 2015).
 
Gąsiorek, Andrzej, ‘“Content to be Superseded”?: Ford in the Great London Vortex’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gąsiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 81–104.
 
Gąsiorek, Andrzej, ‘Editing the transatlantic review: Literary Magazines and the Public Sphere’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 197–214.
 
Gąsiorek, Andrzej, ‘Ford Among the Aliens’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 63–82.
 
Gąsiorek, Andrzej, ‘“In the Mirror of the Arts”: Ford’s Modernism and the Reconstruction of Post-war Literary Culture’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 201–217.
 
Gąsiorek, Andrzej, ‘The Politics of Cultural Nostalgia: History and Tradition in Ford Madox Ford’s Parade’s End’, Literature and History, 11.2 (2002), 52–77.
 
Gąsiorek, Andrzej, and Daniel Moore (eds), Ford Madox Ford: Literary Networks and Cultural Transformations (Amsterdam and New York: Rodopi, 2008).
 
Gemelos, Michele, ‘New York Minutes: Ford’s Notes on the City’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 181–195.
 
Gillard-Estrada, Anne-Florence and Anne Besnault-Levita (eds), Beyond the Victorian/Modernist Divide: Remapping the Turn-of-the-Century Break in Literature, Culture and the Visual Arts (New York: Routledge, 2018). [See especially chapters by Georges Letissier and Charlotte Jones]
 
Glazzard, Andrew, Conrad’s Popular Fictions: Secret Histories and Sensational Novels (Basingstoke: Palgrave Macmillan, 2016).
 
GoGwilt, Christopher, ‘Ford Madox Ford as Queen Victoria: The English Sovereignty of Impressionist Memory in Ford’s Transatlantic Modernism’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 85–95.
 
GoGwilt, Christopher, The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (Oxford: Oxford University Press, 2011). [See sections ‘Jean Rhys, Ford Madox Ford, and the Memory of Joseph Conrad’, ‘Ford Madox Ford and the Repetitive Formation of English Modernism’, ‘Re-Citing Conrad in Modernist Memory’, ‘Jean Rhys and the Transatlantic Modernism of Ford’s the transatlantic review’, and ‘Reading Modernist Memory’]
 
Gomme, Robert, George Herbert Perris 1866–1920 (Bern: Peter Lang, 2003). [pp. 49-51 on the 1894 Star case; pp. 176–81 on Father Gapon and David Soskice.]
 
Gordon, Mary, ‘Ford, Biala and New York: A Novelist’s View’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 249–257.
 
Grice, Annalise, ‘“It is astonishing how little literature has to show of the life of the poor”: Ford Madox Ford’s The English Review and D. H. Lawrence’s Early Short Fiction’, in The Modern Short Story and Magazine Culture, 1880-1950, ed. Elke D’hoker and Chris Mourant (Edinburgh University Press 2021), 86-105.

Grimble, Simon, ‘“A few inches above the moral atmosphere of these islands”: The Perspectives of the English Review’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 153–168.
 
Grimble, Simon, ‘Ford Madox Ford – Somewhere to Stand: From “The Condition of England” to Modernism’, Landscape, Writing and ‘The Condition of England’, 1878–1917, Ruskin to Modernism (Lampeter: Edwin Mellen Press, 2004).
 
Groth, Brian Ibbotson, ‘All at Sea with Petronella: A Ford Madox Ford Biographical Mystery’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 173–178.

Groth, Brian I., ‘The Dagger and the Sheath: the characters of Sylvia Tietjens and Valentine Wannop in Parade’s End’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 112-119.
 
Groth, Brian Ibbotson, ‘Ford’s Saddest Journey: London to London 1909–1936’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 81–92.
 
H
Hadjiyiannis, Christos, Conservative Modernists: Literature and Tory Politics in Britain, 1900 – 1920 (Cambridge: Cambridge University Press, 2018).
 
Haliloğlu, Nagihan, ‘Good People and Chorus Girls: The Notion of Respectability in The Good Soldier and Quartet’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 253–265.
 
Hammond, Meghan Marie, ‘Empathy and Violence in the Works of Ford Madox Ford’, Empathy and the Psychology of Literary Modernism (Edinburgh: Edinburgh University Press, 2014).
 
Hammond, Meghan Marie, ‘English Review, American Specter: the Critical Attitude Crosses the Atlantic’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 55–68.
 
Hammond, Meghan Marie, ‘Ford’s Transatlantic Visions’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Hampson, Robert ‘“Excursion into a Foreign Tongue’: Frederic Manning and Ford Madox Ford’ in Languages and the First World War: Representation and Memory, ed. Christophe Declercq and Julian Walker (Basingstoke: Palgrave Macmillan, 2016).

Hampson, Robert, ‘Ford Madox Ford: Publishing and Publicity’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 107-117.
 
Hampson, Robert, 'Gossip in Conrad, James and Ford', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 69-92.

Hampson, Robert, ‘Touch and Intimacy in Ford Madox Ford’s novels', in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 107-130.
 
Hampson, Robert, ‘Travellers, Dreamers and Visitors: Ford and Fantasy [Ladies Whose Bright Eyes, The Inheritors]’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 31–57.
 
Hampson, Robert, and Max Saunders (eds), Ford Madox Ford’s Modernity (Amsterdam and New York: Rodopi, 2003).
 
Hampson, Robert, and Tony Davenport (eds), Ford Madox Ford: A Reappraisal (Amsterdam and New York: Rodopi, 2002).
 
Harding, Jason, ‘The Englishness of The English Review’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 137–145.
 
Harding, Jason (ed.), Ford Madox Ford, Modernist Magazines and Editing (Amsterdam and New York: Rodopi, 2010).
 
Harding, Jason, ‘The Swan Song of Historical Romance: The Fifth Queen Trilogy’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 111–120.

Harris, Alexandra, The Rising Down: Lives in a Sussex Landscape (London: Faber & Faber, 2024), Ch. 26, 'Just Country: Ford Madox Ford's Rhomboid of Green', 319-343. 
 
Harris, Janet, ‘Screening The Good Soldier’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 103–116.
 
Haslam, Sara, ‘Dowell and Dopamine: Information, Pleasure and Plot’, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 117–132.

​Haslam, Sara, ‘Elsie, fiction, and collaboration’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 21-41.

Haslam, Sara, ‘England and Englishness: Ford’s First Trilogy’ in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 47–62.
 
Haslam, Sara, ‘Ford as Edwardian Author: Publishers, Trends, Markets’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 35–48.
 
Haslam, Sara, ‘Ford Madox Ford’, in The Encyclopedia of Twentieth-Century Fiction, vol. 1, ed. Brian W. Shaffer (Oxford: Blackwell, 2010).
 
Haslam, Sara (ed.), Ford Madox Ford and the City (Amsterdam and New York: Rodopi, 2005).
 
Haslam, Sara, ‘Ford’s Training’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 35–46.
 
Haslam, Sara, Fragmenting Modernism: Ford Madox Ford, the Novel and the Great War (Manchester: Manchester University Press, 2002).
 
Haslam, Sara, ‘From Conversation to Humiliation: Parade’s End and the Eighteenth Century’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014),  37–51.
 
Haslam, Sara, ‘The Good Soldier’, in A Companion to Modernist Literature and Culture, ed. David Bradshaw and Kevin J. H. Dettmar (Oxford: Blackwell, 2006).

Haslam, Sara, ‘An “Historian’s Methods’?: Between St Dennis and St George and the Language of Propaganda’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 41-49. 

Haslam, Sara, ‘Making a Text the Fordian Way: Between St Dennis and St George, Propaganda and the First World War’, in Publishing the First World War: Essays in Book History, ed. Mary Hammond and Shafquat Towheed (Basingstoke: Palgrave, 2007).
 
Haslam, Sara, ‘The Prophet and the Sceptic: George Eliot and Ford Madox Ford’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 49–61.
 
Haslam, Sara, ‘The Rash Act and Henry for Hugh: A Fordian History of Self-Construction (or: Where Is [M]other?]’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 121–133.

Haslam, Sara, ‘“These fragments I have shored against my ruins” – Memory and Modernism: Ford’s Fictions’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 156-162.
 
Haslam, Sara, ‘To Cook, or to Paint, in Paris?: Ford in Colour’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 85–96.
 
Haslam, Sara, Laura Colombino and Seamus O’Malley (eds), The Routledge Research Companion to Ford Madox Ford (London: Routledge, 2019).
 
Haslam, Sara and Max Saunders, ‘Ford’s Letters’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Haslam, Sara, Max Saunders and Paul Skinner, ‘Editing Ford’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Haslam, Sara and Seamus O’Malley (eds), Ford Madox Ford and America (Amsterdam and New York: Rodopi, 2012).
 
Hawkes, Rob, ‘Bogus Modernism: Impersonation, Deception and Trust in Ford Madox Ford and Evelyn Waugh,’ Reconnecting Aestheticism and Modernism: Continuities, Revisions, Speculations, ed. Bénédicte Coste, Catherine Delyfer, Christine Reynier (New York: Routledge, 2017).
 
Hawkes, Rob, Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War (Basingstoke: Palgrave Macmillan, 2012).
 
Hawkes, Rob, ‘Ford’s Style, Technique, and Theory’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Hawkes, Rob, ‘“It is Melodrama; but I Can’t Help It”: Dowell’s Melodramatic Imagination’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 91–101.
 
Hawkes, Rob, ‘Personalities of Paper: Characterisation in A Call and The Good Soldier’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 43–60.
 
Hawkes, Rob, ‘Trusting in Provence: Financial Crisis in The Rash Act and Henry for Hugh’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 229–242.
 
Hawkes, Rob, ‘Visuality vs. Temporality: Plotting and Depiction in The Fifth Queen and Ladies Whose Bright Eyes’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 97–108.
 
Hemingway, Ernest, The Letters of Ernest Hemingway: Volume 1, 1907–1922, ed. Sandra Spanier and Robert W. Trogdon (Cambridge: Cambridge University Press, 2011).
 
Hemingway, Ernest, The Letters of Ernest Hemingway: Volume 2, 1923–1925, ed. Sandra Spanier, Albert J. DeFazio III and Robert W. Trogdon (Cambridge: Cambridge University Press, 2013).
 
Hemingway, Ernest, The Letters of Ernest Hemingway: Volume 3, 1926–1929, ed. Rena Sanderson, Sandra Spanier, and Robert W. Trogdon (Cambridge: Cambridge University Press, 2015).
 
Henstra, Sarah, ‘The End of Empire: Grieving, Englishness, and Ford Madox Ford’s The Good Soldier’, The Counter-Memorial Impulse in Twentieth-Century English Fiction (Basingstoke: Palgrave Macmillan, 2009).
 
Hinojosa, Lynne W. ‘“I Leave it to You”: Church, State, and Morality in Ford Madox Ford’s The Good Soldier’, Puritanism and Modern Novels: From Moral Character to the Ethical Self (Columbus: The Ohio State University Press, 2015).
 
Hockenhull, Stella, ‘Experimentation and Postheritage in Contemporary TV Drama: Parade’s End’, Upstairs and Downstairs: British Costume Drama Television from The Forstye Sage to Downton Abbey (Lanham: Rowman & Littlefield, 2015).
 
Hodges, Elizabeth, ‘Sight and Scale in Parade’s End’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 107–118.
 
Horne, Philip, ‘Absent-Mindedness: Ford on the Phone’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 17–34.
 
Horne, Philip, ‘Henry James and the English Review’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 27–51.
 
Hubble, Nick, ‘Beyond Mimetic Englishness: Ford’s English Trilogy and The Good Soldier’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 147–162.
 
Hubble, Nick, ‘“Her Heritage Was that Tragic Optimism”: Edwardian Pastoral’, The Proletarian Answer to the Modernist Question (Edinburgh: Edinburgh University Press, 2017).
 
Hubble, Nick, ‘A Music-Hall Double Act: Fordie and Wells’s English Review’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 67–79.
 
Hubble, Nick, ‘The Origins of Intermodernism in Ford Madox Ford’s Parallax View’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 167–188.
 
Huculak, Matt, ‘Ford as Editor’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Hutchings, W. B., ‘Ford and Maupassant’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 257–270.
 
Hyde, George, ‘Lawrence, Ford, Strong Readings, and Weak Nerves’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 81–87.
 
J
Jain, Anurag, ‘When Propaganda is Your Argument: Ford and First World War Propaganda’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 163–175.
 
James, David, ‘By Thrifty Design: Ford’s Bequest and Coetzee’s Homage’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 243–265.
 
James, David, Modernist Futures: Innovation and Inheritance in the Contemporary Novel (Cambridge: Cambridge University Press, 2012).

Johnson, Barry C., The Diaries & Letters of Olive Garnett: An English Girl in Old Russia 1896-1897 & in England 1897-1958 (Padstow, Cornwall: Tabb House, 2019). Ford indexed (under both ‘Hueffer’ and ‘Ford’).

Jones, Charlotte, Realism, Form, and Representation in the Edwardian Novel: Synthetic Realism (Oxford: Oxford University Press, 2021), Chapter 5, 'Ford Madox Ford: Everything and Nothing'.
 
Judd, Alan, ‘Using Ford in Fiction’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 135–145.
 
K
Katz, Tamar, ‘Ford, Femininity, and Unreliable Narration’, Impressionist Subjects: Gender, Interiority, and Modernist Fiction in England (Urbana: University of Illinois Press, 2000).
 
Klein, Scott W., ‘A Likely Possibility: The Good Soldier, the Modernist Novel, and Quasi-Familial Transcendence’, in Utopianism, Modernism, and Literature in the Twentieth Century, ed. Alice Reeve-Tucker and Nathan Waddell (Basingstoke: Palgrave Macmillan, 2013).
 
Kermode, Frank, Concerning E. M. Forster (London: Weidenfeld and Nicolson, 2009).
 
Kingsbury, Celia Malone, ‘Peculiar Sanity in the Manor House: Ford’s The Good Soldier’ and ‘Superficiality: Ford’s The Good Soldier’, The Peculiar Sanity of War: Hysteria in the Literature of World War One (Texas: Texas University Press, 2002).

Knottenbelt, Elizabeth M., ‘C. H. Sisson on Ford Madox Ford and the Native Tradition in English Poetry’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 163-172.
 
L
Lamarra, Annamaria, ‘Family and the Novel in European Modernism: Thomas Mann’s Buddenbrooks and Ford Madox Ford’s The Good Soldier’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002),  149-156.
 
Lamberti, Elena, ‘Ford Madox Ford and Ernest Hemingway in the Literary Arena of Paris, 1924’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 239–256.

Lamberti, Elena, ‘Reading Ford through Marshall McLuhan: The Fifth Queen in the Light of the New Media’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 45-53.
 
Lamberti, Elena, ‘Real Cities and Virtual Communities: Ford and the International Republic of Letters’ in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 139–152.

Lamberti, Elena, ‘“Scientific Historian” verses “Social Historian”: Ford Madox Ford’s Historic Sense’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 30-40.
 
Lamberti, Elena, ‘“Wandering Yankees”: The transatlantic review or How the Americans Came to Europe’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 215–228.
 
Lamberti, Elena, ‘Writing History: Ford and the Debate on “Objective Truth” in the Late 20th Century’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 99–110.
 
Larabee, Mark D., ‘Military Mapping and Modernist Aesthetics: Blunden, Aldington, and Ford’ and ‘In Flanders with No Baedeker: Beaman, Forster, and Ford’, Front Lines of Modernism: Remapping the Great War in British Fiction (Basingstoke: Palgrave Macmillan, 2011).
 
Latham, Sean, The Art of Scandal: Modernism, Libel Law, and the Roman à Clef (Oxford: Oxford University Press, 2009). [pp. 155-66 on Jean Rhys’s fictionalisation of Ford in her novels.]
 
Leckie, Barbara, ‘A Good Read: Ford Madox Ford’s A Call and The Good Soldier’, in Culture and Adultery: The Novel, the Newspaper, and the Law, 1857–1914 (Philadelphia: University of Pennsylvania Press, 1999).
 
Lee, Hermione, “In Separate Directions”: Ford Madox Ford and French Networks’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 43–56.
 
Lemarchal, Dominique, ‘Ford and the French Connection’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Lemarchal, Dominique, ‘Ford’s Henry James as a Double Impression’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 65–78.
 
Lemarchal, Dominique, ‘Ford’s Paradoxical Development of the Personal Tone in the Writing of Propaganda’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 91–97.
 
Lemarchal, Dominique, The Good Soldier de Ford Madox Ford (Paris: Ellipses, 2005).
 
Lemarchal, Dominique, and Claire Davison-Pégon (eds), Ford Madox Ford, France and Provence (Amsterdam and New York: Rodopi, 2011).

Letissier, Georges, ‘Napoleonic Fiction Twinning: Ford Madox Ford’s A Little Less Than Gods (1928) and Joseph Conrad’s Suspense (1926)’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 193-207.
 
Letissier, Georges, ‘Paris Fluctuat… Ford Madox Ford’s Urban Psychogeography’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 25–46.

Lévy, Ellen, ‘Maplines: Visions of France in Ford Madox Ford’s No Enemy’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 107–117.
 
Lewis, Monica C., ‘Trollope Re-Read’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 41–47.
 
Londraville, Richard, and Janis Londraville (eds), Dear Yeats, Dear Pound, Dear Ford: Jeanne Robert Foster and Her Circle of Friends (Syracuse: Syracuse University Press, 2001).
 
Lonsdale, Sarah, ‘Edwardian Journalist-Heroes at the Birth of the Popular Press’, The Journalist in British Fiction and Film: Guarding the Guardians from 1900 to the Present (London: Bloomsbury, 2016).

Lucas, Michael A., 'Ford's Truth about Talk: Conversation in James, Conrad and Ford', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 93-108.
 
M
MacGowan, Christopher, ‘Ford Madox Ford and William Carlos Williams: The Country Squire and Dr. Carlos’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 141–153.
 
MacGowan, Christopher, ‘History, Identity and Nationality in Ford’s Great Trade Route’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 243–253.
 
Mackenzie, Donald, ‘Edwardian Idyll, Edwardian Mapping: The Heart of the Country’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 105–124.
 
Mackenzie, Donald, ‘A Road not Taken: Romance, History and Myth in Ford’s Fifth Queen Novels’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 97–117.
 
Mannes-Abbott, Guy, ‘Skull/Brain Drain Stain/ (The Ambassadors) , in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 151–156.
 
Marcus, Laura, Michèle Mendelssohn and Kirsten E. Shepherd-Barr, Late Victorian into Modern (Oxford: Oxford University Press, 2016).
 
Marks, Peter, ‘“Don’t You See?”: Surveillance and Utopian Tranquillity in The Good Soldier, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 283–298.
 
Marques, Susan Lowndes, ‘Marie Belloc Lowndes on Ford and Violet Hunt’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 95–100.
 
Marsh, Alec, ‘“Better Far”: Ford and Rossettian Attitudes’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014),  187–195.
 
Matz, Jesse, ‘The Distant Laborer: Proust in Eulalie’s Bedroom; Conrad’s Distant Laborer; Ford’s Peasant Cabman’, Literary Impressionism and Modernist Aesthetics (Cambridge: Cambridge University Press, 2001).
 
Maunsell, Jerome Boyd, ‘For Facts a Most Profound Contempt: Ford Madox Ford,’ Portraits from Life: Modernist Novels and Autobiography (Oxford: Oxford University Press, 2018).
 
McCarthy, Jeffrey Mathes, ‘Lover and the Last Post’, Green Modernism: Nature and the English Novel, 1900 to 1930 (New York: Palgrave Macmillan, 2015). 
 
McCarthy, Jeffrey Mathes, ‘A Reconstructionary Tale: Ford Madox Ford’s Georgic Responses to World War I’, in Great War Modernism: Artistic Response in the Context of War, 1914-1918, ed. Nanette Norris (Maryland: Rowman & Littlefield, 2016).
 
McDermott, Karen, ‘The Impressionistic “Rendering” of Englishness in Ford’s Fifth Queen Trilogy’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 83–95.

McDonough, Robert E., ‘The Complexity of Ford Madox Ford’s Englishness: Loving it as He Left’, in Englishness Revisited, ed. Floriane Reviron-Piégay (Cambridge: Cambridge Scholars Publishing, 2020).
 
McDonough, Robert E., ‘Does the Wicked Man?’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 109–119.
 
McDonough, Robert E., ‘Escape from Englishness: The Rash Act and Henry for Hugh’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 235–241.
 
McDonough, Robert E., ‘Ford Madox Ford’s Mirrors to France’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 143–151.

McDonough, Robert E., ‘The Marsden Case for the Canon’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 96-103.
 
McDonough, Robert E., ‘Mister Bosphorus and the Muses: History and Representation in Ford’s Modern Poem’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 155–162.
 
McDonough, Robert, ‘New York is Not America, But Then What Is?’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 169–180.
 
McDowell, Lesley, ‘The “Ingénue”: Jean Rhys and Ford Madox Ford’, Between the Sheets: The Literary Liaisons of Nine 20th-Century Women Writers (New York: Overlook Press, 2010).
 
Mill, William, ‘Hueffer/Ford and Wilson/Burgess’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 217–224.

Mochi, Giovanna, ‘What James Knew: The “Saddest Story” of Ford and James’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 142-148.
 
Monta, Anthony, ‘Parade’s End in the Context of National Efficiency’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 41–51.
 
Monta, Anthony and Susannah Brietz Monta, ‘Ford Madox Ford’s Fifth Queen and the Modernity of Henry VIII,’ Henry VIII and History, ed. Thomas Betteridge and Thomas S. Freeman (Routledge: London, 2016). [First published 2012, Ashgate]
 
Moody, A. David, Ezra Pound: Poet: A Portrait of the Man and His Work: Volume I: The Young Genius 1885–1920 (Oxford: Oxford University Press, 2007).
 
Moody, A. David, Ezra Pound: Poet: A Portrait of the Man and His Work: Volume II: The Epic Years 1921–1939 (Oxford: Oxford University Press, 2014).
 
Moody, A. David, Ezra Pound: Poet: A Portrait of the Man and His Work: Volume III: The Tragic Years 1939–1972 (Oxford: Oxford University Press, 2015).
 
Moore, Dan, ‘Ford’s Cultural Criticism’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Moore, Gene M., ‘Ford and Germany: The Question of Cultural Allegiance’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 148-155.

Moore, Gene M., ‘Ford, Apprenticeship, and Collaboration’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Moore, Gene M., ‘Ford as Editor in Joseph Conrad’s “The Planter of Malata”’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 53–65.
 
Moore, Gene M., ‘Great Trade Route and the Legacy of Slavery’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 155–166.
 
Moore, Gene M., ‘The Portrait: Ford’s Chef-D’Oeuvre Inconnue’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 109–117.

Morey, John Hope, Joseph Conrad and Ford Madox Ford: A Study in Collaboration, ed. Gene M. Moore (Leiden: Brill, 2021).
 
Morrisson, Mark, ‘The Myth of the Whole and Ford’s English Review: Edwardian Monthlies, the Mercure de France, and Early British Modernism’, The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905–1920 (Madison, Wisconsin: University of Wisconsin Press, 2000).
 
Munton, Alan, ‘The Insane Subject: Ford and Wyndham Lewis in the War and Post-War’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 105–130.
 
Murphy, John B., “The ‘ind Legs of the Elephink”: Pantomime, Prophecy, and Tosh in Parade’s End’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 81–93.
 
N
Nadal, Ira B. (ed.), Ezra Pound in Context (Cambridge: Cambridge University Press, 2010).
 
Neilson, Brett, ‘Ford’s Biopolitics: Great Trade Route and the Philosophy of the Kitchen Garden’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 118-122.

Newton, Michael (ed.), ‘The Queen Who Flew’, Victorian Fairy Tales (Oxford: Oxford University Press, 2015). [Reprints ‘The Queen Who Flew’ and includes biographical notes and history of publication.]
 
O
O'Brien, Nanette, Food and Culture in the Works of Ford Madox Ford, Gertrude Stein, and Virginia Woolf: Culinary Civilizations (Oxford: Oxford University Press, 2024).

O’Connor, Elizabeth, ‘Beyond Vengeance: Ford’s When the Wicked Man as a Writerly Response to Jean Rhys’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 121–137.
 
O’Connor, Elizabeth, ‘Jean Rhys’s Quartet: A Re-inscription of Ford’s The Good Soldier’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 129–141.
 
O’Malley, Seamus, ‘America’s Ford: Glenway Wescott, Katherine Anne Porter and Knopf’s Parade’s End’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 97–108.
 
O’Malley, Seamus, ‘Ford and History’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
O’Malley, Seamus, ‘The Ferociously Odd, Mutually Beneficial Editorial Relationship of Ford and Wyndham Lewis’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 89–98.
 
O’Malley, Seamus, ‘The Fifth Queen, Revisionary History and the Staging of Nostalgia’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 225–235.
 
O’Malley, Seamus, ‘How Much Mud Does a Man Need?: Land and Liquidity in Parade’s End’,, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 119–128.
 
O’Malley, Seamus, ‘The Return of the Soldier and Parade’s End: Ford’s Reworking of West’s Pastoral’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 155–164.
 
O’Malley, Seamus, ‘Rewriting and Repetition in The Good Soldier’ and ‘The Rememoration of Some Do Not . . .’, Making History New: Modernism and Historical Narrative (New York: Oxford University Press, 2014).
 
O’Malley, Seamus, ‘Spa Modernism: Freud’s Dora and Ford’s The Good Soldier', in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 141-153.

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Paraskos, Michael, ‘Herbert Read’s Dilemmas: Fatherly Advice from FMF’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 165–172.
 
Parfect, Ralph, ‘Romances of Nationhood: Ford and the Adventure Story Tradition’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 37–46.

Parkes, Adam, Modernism and the Aristocracy: Monsters of English Privilege (New York: Oxford University Press, 2023).
 
Parkes, Adam, ‘“A more emotional, a more keenly analytical picture”: Impressionism, Naturalism, and Sociology in Ford Madox Ford’, in The Socio-Literary Imaginary in 19th and 20th Century Britain: Victorian and Edwardian Inflections, ed. Maria K. Bachman and Albert D. Pionke (London: Routledge, 2019) 

Parkes, Adam, ‘“The Typical Man of This Period”: Ford’s Depression’, A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing (Oxford: Oxford University Press, 2011).
 
Parrinder, Patrick, ‘“All that is solid melts into air”: Ford and the Spirit of Edwardian England’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 5–17.
 
Patey, Caroline, ‘Empire, Ethnology and The Good Soldier’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 83–102.
 
Patey, Caroline, ‘Ford’s Continental Visions’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Patey, Caroline, ‘France as Fieldwork, or, Ford the Ethnographer’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 133–142.

Patey, Caroline, 'Londonscapes: Urban Anxieties and Urban Aesthetics in James, Ford and Conrad', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 53-67.
 
Patey, Caroline, ‘Right Bank, Left Bank and an Island: Ford’s Fragmented Ville Lumière’ in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 153–167.
 
Peel, Robin, ‘Ford and the Simple Life: Gender, Subjectivity and Class in a Satirized Utopia’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 59–70.
 
Pegum, John, ‘The Parting of the Ways: The Armistice, the Silence, and Ford Madox Ford's Parade's End’, The Silent Morning: Culture and Memory After the Armistice (Manchester: Manchester University Press, 2013).
 
Perosa, Sergio, ‘Ford, England and the American Scene’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 131-141.

Pesman, Ros, ‘“Drawn From Life”: Stella Bowen and Ford Madox Ford’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 221–238.
 
Peters, John G., Conrad and Impressionism (Cambridge: Cambridge University Press, 2001).
 
Piete, Adam, ‘War and Division in Parade’s End’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 141–152.
 
Pines, Davida, ‘Irony and the Marriage Plot in The Good Soldier’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 73–81.
 
Pividori, C, ‘Impressions from the Front: The Crisis of the Witness in Ford Madox Ford’s Parade’s End’, in Writings of Persuasion and Dissonance in the Great War, ed. David Owen and Maria Cristina Pividori (Amsterdam: Rodopi, 2016), 106–120.
 
Pizzichini, Lilian, The Blue Hour: A Portrait of Jean Rhys (London: Bloomsbury, 2009).
 
Plastow, Jenny, ‘Englishness and Work’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 177–194.
 
Plastow, Jenny, ‘The Feminine at the Front’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 50-59.

Plastow, Jenny, ‘“If We Shadows Have Offended”: The Metaphor of Shadow in The Marsden Case’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 159–173.
 
Plotz, John, ‘Introduction: Through Bright Glass’, in Semi-Detached: The Aesthetics of Virtual Experience Since Dickens, ed. John Plotz (Princeton: Princeton University Press, 2018), 1–18.
 
Poole, Roger, ‘How Should We Read Ford?’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 181-193.

Poole, Roger, ‘The Unknown Ford Madox Ford [The Good Soldier]’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 117–136.
 
Pound, Ezra, Ezra Pound to His Parents: Letters 1895–1929, ed. Mary de Rachewiltz, A. David Moody and Joanna Moody (Oxford: Oxford University Press, 2010).
 
Preece, Julian, ‘Anglo-German Dilemmas in The Good Soldier or: Europe on the Brink in 1913’, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 223–239.
 
Price, Richard, ‘“His care for living English”: Ford Madox Ford and Basil Bunting’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 115–127.
 
Pryor, Sean, ‘Ford's Fall’, Poetry, Modernism, and an Imperfect World (Cambridge: Cambridge University Press, 2017).
 
Purdon, James, Modernist Informatics: Literature, Information, and the State (Oxford: Oxford University Press, 2016). [Particularly Chapter 2: ‘Dossier Fiction’]
 
Pye, Patricia, ‘Waiting for the Sound: Noise, Time, and the News,’ in Sound and Modernity in the Literature of London, 1880–1918 (London: Palgrave Macmillan).
 
R
Rademacher, Jörg W., ‘Ford Madox Ford on Hans Holbein, the Younger: Writing on Portraits and Portraits in Writing’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 205–224.
 
Rademacher, Jörg W., ‘Ford Madox Ford’s Englishness as Translated into German in Some Do Not . . . and No More Parades’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 225–233.
 
Rademacher, Jörg W., ‘Images of the First World War: Ford’s “In October 1914” Read in the Context of Contemporary German Writers’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 179–188.
 
Rademacher, Jörg W. (ed.), Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer) (Hamburg: Lit Verlag, 2002).
 
Rademacher, Jörg W., ‘Tracing a Biographical Habit: Notes on the Lives of Franz Hüffer and Ford Hermann Hüffer’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 120-134.

Rademacher, Jörg W., and Christian Steinhagen, Gelehrtes Münster und Rundum (Berlin: Verlag Jena 1800, 2005). [Includes Ford and Violet Hunt among the eighty-eight writers, philosophers and theologians associated with the city.]
 
Rau, Petra, English Modernism, National Identity and the Germans, 1890–1950 (Aldershot: Ashgate, 2009). [See in particular Chapters 2 and 4.]
 
Reynier, Christine, ‘Mapping Ford Madox Ford’s Provence in Provence’, Provence and the British Imagination (Milan: Ledizoni, 2013).
 
Reynier, Christine, ‘Reading The Rash Act in the Light of Provence: The Encounter of Ethics and Aesthetics’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 217–227.
 
Ricketts, Harry, ‘Early Kipling Told by Henry James’: A Reading of The Good Soldier, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 213–222.

Ricketts, Harry, ‘The Great War and Othering the Self: Siegfried Sassoon and Ford Madox Ford’, in Homo Duplex: Ford Madox Ford’s Experience and Aesthetics of Alterity, ed. Isabelle Brasme (Montpellier: Presses universitaires de la Méditerranée, 2020), 131-138.
 
Riede Austin, ‘“Cleaned, Sand-Dried Bones”: Christopher Tietjens and the Labour of War’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 161–172.
 
Riede, Austin, ‘The Decline of English Discourse and the American Invasion in The Good Soldier and Parade’s End’, in Ford Madox Ford and Englishness, ed. Dennis Brown and Jenny Plastow (Amsterdam: Rodopi, 2006), 211–224.
 
Robinson, Peter, ‘“Written at least as well as prose”: Ford, Pound, and Poetry’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 99–113.
 
Rodden, John. ‘Ford’s The Good Soldier: Movements of the Heart’, Between Self and Society: Inner Worlds and Outer Limits in the British Psychological Novel (Austin: University of Texas Press, 2016).
 
Rogers, Stephen, ‘Ford’s Journalism’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Rogers, Stephen, ‘North and South: Ford Madox Ford’s American Journalism During the Great Depression’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 181–202.
 
Rogers, Stephen, ‘“A Royal Personage in Disguise”: A Meeting between Ford and John Cowper Powys’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 121–127.
 
Rogers, Stephen, ‘The transatlantic review (1924)’ , in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 185–196.

Rosner, Victoria, Machines for Living: Modernism and Domestic Life (Oxford: Oxford University Press, 2020).
 
Rummel, Andrea, ‘The City, the Self and the Real-and-Imagined: Ford Madox Ford and Paris’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 47–57.
 
Rummel, Andrea, ‘Personal Landscape: Ford Madox Ford, War, and the Mind,’ in History, Memory and Nostalgia in Literature and Culture, ed. Reginia Rudaityė (Newcastle upon Tyne: Cambridge Scholars Publishing, 2018).
 
S
Sabbagh, Omar, From Sight Through to In-Sight: Time, Narrative and Subjectivity in Conrad and Ford (Amsterdam and New York: Rodopi, 2014).
 
Sabbagh, Omar, ‘Love’s Knowledge: Realisation Beyond Defence: Durrell’s Alexandria Quartet After, and Beyond, Ford’s The Good Soldier’, in Ford Madox Ford's The Good Soldier,  ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 267–282.
 
Saint-Amour, Paul K., ‘War Shadowing: Ford Madox Ford’s Parade’s End’, Tense Future: Modernism, Total War, Encyclopedic Form (Oxford: Oxford University Press, 2015).
 
Sasso, Eleonora, ‘Consumers of Intoxicating Fruits and Elixirs: The Cognitive Grammar of Christina Rosetti’s and Ford Madox Ford’s Oriental Fairy Tales’, The Pre-Raphaelites and Orientalism: Language and Cognition in Remediations of the East (Edinburgh: Edinburgh University Press, 2018).
 
Saunders, Max, ‘“Adventures of the Soul Among Masterpieces”: Ford and France (Anatole)’ , in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 129–154.

Saunders, Max, ‘“All these fellows are ourselves”: Ford Madox Ford, Race and Europe’, in Modernism and Race, ed. Len Platt (Cambridge: Cambridge University Press, 2011).
 
Saunders, Max, ‘The Case of The Good Soldier’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 133–147.
 
Saunders, Max, ‘Critical Biography: Rhetoric, Tone and Autobiography in Ford’s Critical Essays’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 173–188.
 
Saunders, Max, ‘Empire of the Future: The Inheritors, Ford, Liberalism and Imperialism’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 125–140.
 
Saunders, Max, ‘Ford and European Modernism: War, Time, and Parade’s End’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 3-21.
 
Saunders, Max, ‘Ford and Impressionism’’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 151–166.
 
Saunders, Max, ‘Ford and Turgenev’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 63–77.
 
Saunders, Max, Ford Madox Ford (London: Reaktion Books, 2023).

Saunders, Max, ‘Ford Madox Ford, Impressionism and Trust in The Good Soldier’, in Incredible Modernism: Literature, Trust and Deception, ed. John Attridge and Rob Rosenquist (Farnham: Ashgate, 2013).
 
Saunders, Max, ‘Ford, the City, Impressionism and Modernism’ in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 67–80.
 
Saunders, Max, ‘Ford’s Thought-Experiments: Impressionism, Place, History, and “the Frame of Mind That is Provence”’ , in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 259–276.
 
Saunders, Max, ‘From Pre-Raphaelism to Impressionism’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 51–70.
 
Saunders, Max, ‘Imagism vs. Impressionism: Ezra Pound and Ford Madox Ford’, in Imagism: Essays on Its Initiation, Impact and Influence, ed. John Gery, Daniel Kempton and H. R. Stoneback (New Orleans: University of New Orleans Press, 2013).

Saunders, Max, ‘Impressionism, fiction, and the location of the ethical’, in Ethics in Culture: The Dissemination of Values through Literature and Other Media, ed. Astrid Erll, Herbert Grabes and Ansgar Nünning, Berlin and New York: Walter de Gruyter, 2008), 299–316.
 
Saunders, Max, ‘Impressions of Translation: Ford Madox Ford’s Cosmopolitan Crossings’, Claire Davison, Derek Ryan, Jane A. Goldman, eds., Cross-Channel Modernisms (Edinburgh University Press, 2020), 50-68.
 
Saunders, Max, ‘Impressions of War: Ford Madox Ford, Reading and Parade’s End” in Reading and the First World War: Readers, Texts, Archives, ed. Shafquat Towheed and Edmund King (Basingstoke: Palgrave Macmillan, 2015).
 
Saunders, Max, ‘Literary Impressionism’, in A Companion to Modernist Literature and Culture, ed. David Bradshaw and Kevin J. H. Dettmar (Oxford: Blackwell, 2006).
 
Saunders, Max, ‘Literary Impressionism and Impressionist Autobiographies: Henry James, Joseph Conrad, and Ford Madox Ford’, Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature (Oxford: Oxford University Press, 2010).
 
Saunders, Max, ‘The Marsden Case and the Treatment of Reading’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 133–157.
 
Saunders, Max. ‘“A Novel Should Be the Biography of a Man or of an Affair, and a Biography, Whether of a Man or an Affair, Should be a Novel.” Ford Madox Ford and Modernist Experiments in Biography,’ in Experiments in Life-Writing: Intersections of Auto/Biography and Fiction, eds. Lucia Boldrini and Julia Novak (Cham: Palgrave Macmillan, 2017).

Saunders, Max, ‘Parody and Modernism in James Joyce and Ford Madox Ford’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 94-103.

Saunders, Max, 'Reflections on Impressionist Autobiography: James, Conrad and Ford', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 7-41.

Saunders, Max (2007), ‘Tradition and the march of literature: T. S. Eliot and Ford Madox Ford’, in T. S. Eliot and the Concept of Tradition, ed. Giovanni Cianci and Jason Harding, Cambridge: Cambridge University Press (2007), 185–200.
 
Saunders, Max, and Sara Haslam (eds.), Ford Madox Ford’s The Good Soldier: Centenary Essays (Amsterdam and New York: Rodopi, 2015).
 
Sborgi, Anna Viola, ‘Ford Madox Ford’s Literary Portraits’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 119–134.
 
Scannell, James M., ‘History or Quickie History: Elections in Anthony Trollope and Ford Madox Ford’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 147–154.
 
Schmidt, Michael, ‘Ford Madox Ford: The Good Collaborator’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 49–64.
 
Schutt, Sita, ‘The Clitter of Small Sounds: Desire and the Audible in Ford Madox Ford’s A Call: the Tale of Two Passions’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 123-127

Schutt, Sita A., ‘“Close Up From a Distance”: London and Englishness in Ford, Bram Stoker and Conan Doyle’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 55–65.
 
Scuriatti, Laura, ‘Hiding the Narrative: The Spaces of Fiction in The Good Soldier’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 202-208

Segal, Eyal, ‘The Good Soldier and the Problem of Compositional (Un)Reliability’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 63–77.
 
Seshagiri, Urmila, ‘“A race that will have no successors”: The Good Soldier and the Discontinuities of Modernity’, Race and the Modernist Imagination (Ithaca: Cornell University Press, 2010).
 
Sherry, Vincent, ‘Bare Death: The Failing Sacrifice of the First World War’, in Sacrifice and Modern War Literature: The Battle of Waterloo to the War on Terror, ed. Alex Houen and Jan-Melissa Schramm (Oxford: Oxford University Press, 2018).
 
Shiels, Barry, ‘Caring to Know: Narrative Technique and the Art of Public Nursing in The Good Soldier’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 165–182.
 
Short, Emma, Mobility and the Hotel in Modern Literature (Cham: Palgrave Macmillan, 2019). [Particularly ‘Along the Corridor: Charting the Hotel Narrative’; other chapters also mention Ford, sp. The Good Soldier.]
 
Skinner, Paul, ‘Ford and Comedy’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Skinner, Paul, ‘Ford Madox Ford and the Unnoticeable Things’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 287–302.
 
Skinner, Paul (ed.), Ford Madox Ford’s Literary Contacts (Amsterdam and New York: Rodopi, 2007).
 
Skinner, Paul, ‘Ford’s Rural Spaces’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).

Skinner, Paul, '"Not the Stuff to Fill Graveyards": Joseph Conrad and Parade's End', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 161-178.
 
Skinner, Paul, ‘The Painful Processes of Reconstruction: History in No Enemy and Last Post’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 65–75.
 
Skinner, Paul, ‘Poor Dan Robin: Ford Madox Ford’s Poetry’, in Ford Madox Ford: A Reappraisal, ed. Robert Hampson and Tony Davenport (Amsterdam: Rodopi, 2002), 79–103.
 
Skinner, Paul, “Pretty Big and  Serious”: Ford Madox Ford and The Young Lovell’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 237–255.
 
Skinner, Paul, ‘“Rabbiting On”: Fertility, Reformers and The Good Soldier’, in Ford Madox Ford's The Good Soldier, ed. Max Saunders and Sara Haslam (Amsterdam: Brill Rodopi, 2015), 183–195.
 
Skinner, Paul, ‘“Speak Up, Fordie!”: How Some People Want to Go to Carcassonne’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 197–210.
 
Skinner, Paul, ‘Tietjens Walking, Ford Talking’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 129–140.

Small, Helen, The Function of Cynicism at the Present Time (OUP, 2020), Chapter 4: ‘Cosmopolitan Cynicisms: George Eliot and Ford Madox Ford’.
 
Smith, Helen, ‘Opposing Orbits: Ford, Edward Garnett and the Battle for Conrad’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 79–93.
 
Smith, Helen, The Uncommon Reader: A Life of Edward Garnett (London: Jonathan Cape, 2017). [Ford indexed.]
 
Snyder, Carey, ‘“More Undraped Females and Champagne Glasses”: Ford Madox Ford’s Ambivalent Affair with Mass Culture’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 139–153.
 
Sorum, Eve, ‘Disorienting Empathy: World War I and the Traumas of Perspective-Taking’, in Modernist Empathy: Geography, Elegy, and the Uncanny (Cambridge: Cambridge University Press, 2019), 70–110.
​
Sorum, Eve, ‘Mourning and Moving On: Life After War in Ford Madox Ford’s The Last Post’, in Modernism and Mourning, ed. Patricia Rae (Lewisburg, PA: Bucknell University Press; Cranbury, NJ: Associated University Presses, 2007).
 
Southworth, Helen, ‘“That Subtle and Difficult Thing: A National Spirit”: Ford, Anglo-Saxondom and the “Gorgeously English” George Borrow’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 25–39.
 
Spence, Rob, ‘“Beautiful and Instructive”: Ford Madox Ford’s Encounter with Popular Culture’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 81–94.

Spence, Rob, ‘Ford and Lewis: The Attraction of Opposites’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 153–160.
 
Spinozzi, Paola, ‘A Proto-Modernist Artist-Critic Encounters a Victorian Painter-Poet: Ford Madox Ford on Dante Gabriel Rossetti’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 80-95.

Stallworthy, Jon, Survivor’s Songs: From Maldon to the Somme (Cambridge: Cambridge University Press, 2008). [pp. 137–45 on Parade’s End.]
 
Stannard, Martin, ‘Cutting Remarks: What Went Missing from The Good Soldier’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 229–242.
 
Stannard, Martin, ‘Ford and Biala: A Bohemian Life’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 207–222.
 
Stannard, Martin, ‘Ford, Soldiers and Transubstantiation’, in The Poetics of Transubstantiation, ed. Douglas Burnham and Enrico Giaccerini (Aldershot: Ashgate, 2004).
 
Stannard, Martin, ‘Fording Holbein’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 135–149.
 
Stannard, Martin, ‘Going South for Air: Ford Madox Ford’s Provence’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 243–250.
 
Stannard, Martin, ‘The Good Soldier: Editorial Problems’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 137–148.
 
Steffens, Karolyn and Joseph Wiesenfarth, ‘Ford’s Reception History’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Stevenson, Randall, Literature and the Great War, 1914–1918 (Cambridge: Cambridge University Press, 2013).
 
Swartzlander, Susan, ‘“Thus to Revisit or Thus to Revise-It”: Ernest Hemingway, Defiant Disciple’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 189–202.

Szczekalla, Michael, ‘“The Uses and Abuses of History”: Ford’s Katharine Howard Trilogy’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 37-44.
 
T
Tageldin, Shaden M, ‘World Literature, World War: Revisiting Tayeb Salih’s Seasons of Migration to the North’, in A Companion to World Literature (John Wiley & Sons, 2019). [Focus on intertextual reference to ‘Antwerp’]

Taylor, Bradford ‘Ford Madox Ford, Queer Potatoes, and Goodly Apples’, in Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde, ed. Jessica Martell, Adam Fajardo and Philip Keel Geheber (Gainesville: University Press of Florida, 2019), 72– 88.

Tearle, Oliver, The Great War, The Waste Land and the Modernist Long Poem (London: Bloomsbury, 2019). [Discusses ‘Antwerp’]
 
Terzieva-Artemis, Rossitsa (ed.), Ford Madox Ford’s The Good Soldier (Leiden and Boston: Rodopi, 2018).
 
Thirlwell, Angela, ‘Ford’s Provence: A Pre-Raphaelite Vision’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 193–202.
 
Thirlwell, Angela, ‘From Paint to Print – Grandfather’s Legacy’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 29–38.
 
Thirlwell, Angela, In the Frame: The Four Loves of Ford Madox Brown (London: Chatto and Windus, 2010).
 
Tóibín, Colm, ‘Outsiders in England and the Art of Being Found Out’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 61–80.
 
Tomlinson, Nora, ‘“An old man mad about writing” but hopeless with money: Ford Madox Ford and the Finances of the English Review’, in Ford Madox Ford, Modernist Magazines and Editing, ed. Jason Harding (Amsterdam: Rodopi, 2010), 143–151.
 
Toner, Anne, ‘Ellipsis and Modernity’, Ellipsis in English Literature: Signs of Omission (Cambridge: Cambridge University Press, 2015).
 
Trainor, Sam, ‘Third Republic French Philosophy and Ford’s Evolving Moral Topologies’, in Ford Madox Ford, France and Provence, ed. Dominique Lemarchal and Claire Davison-Pégon (Amsterdam: Rodopi, 2011), 85–106.
 
Trotter, David, ‘Ford Against Lewis and Joyce’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 131–149.
 
Trotter, David, ‘Ford’s Impressionism’, Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society (Oxford: Oxford University Press, 2001).
 
U
Underwood, Doug, Literary Journalism in British and American Prose: An Historical Overview (Jefferson, North Carolina: McFarland & Company, 2019). [Ford and The English Review both indexed.]
 
V
Van Puymbroeck, Birgit, Modernist Literature and European Identity (New York: Routledge, 2020). [Chapter 1: ‘The Backbone of the World: Ford Madox Ford and the Anglo-French Tradition’]

Vandevelde, Tom, ‘“Are You Going to Mind the Noise?”: Mapping the Soundscape of Parade’s End’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 53–66.
 
Vernitski, Anat, ‘The Complexity of Truth: Ford and the Russians’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 101–111
 
Vogeler, Martha, Austin Harrison and the English Review (Columbia: University of Missouri Press, 2008).
 
W
Waddell, Nathan, ‘Bohemian Retrospects: Ford Madox Ford, Post-War Memory and the Cabaret Theatre Club’, in The Modernist Party, ed. Kate McLoughlin (Edinburgh: Edinburgh University Press, 2013).
 
Waddell, Nathan, ‘Ford, Family, and Music’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Waddell, Nathan, Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900-1920 (Basingstoke: Palgrave Macmillan, 2012).
 
Waddell, Nathan, Moonlighting: Beethoven and Literary Modernism (Oxford: Oxford University Press, 2019). [See Ch. 2 ‘Eloquent Citations’]
 
Waddell, Nathan, ‘Technocracy and the Fordian Arts: America, the American Mercury and Music in the 1930s’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 167–180.
 
West, Rebecca, The Selected Letters of Rebecca West, ed. Bonnie Kime Scott (New Haven: Yale University Press, 2000); one letter to Ford and several references.
 
Whelpton, Vivian, Richard Aldington: Poet, Soldier and Lover 1911–1929 (Cambridge: Lutterworth Press, 2014).
 
Wickes, George, ‘What Hemingway Learned from Ford’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 189–206.

Wiesenfarth, Joseph, 'Approaching Ford Madox Ford's Joseph Conrad: A Personal Remembrance', in Inter-Relations: Conrad, James, Ford, and Others, ed. Keith Carabine and Max Saunders (New York: Columbia University Press, 2003), 133-147.

Wiesenfarth, Joseph, ‘Coda to the City’ in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 131–138.
 
Wiesenfarth, Joseph, ‘Death in the Wasteland: Ford, Wells, and Waugh’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 197–206.
 
Wiesenfarth, Joseph J., ‘Fargobawlers: James Joyce and Ford Madox Ford’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 55-67.

Wiesenfarth, Joseph, ‘Ford, Bowen, and Italian Art’, in Ford Madox Ford and Visual Culture, ed. Laura Colombino (Amsterdam: Rodopi, 2009), 205–213.
 
Wiesenfarth, Joseph, ‘Ford / Forster: Novel / Nuvvle’, in The Edwardian Ford Madox Ford: A Reappraisal, ed. Laura Colombino and Max Saunders (Amsterdam: Rodopi, 2013), 79–89.
 
Wiesenfarth, Joseph J., ‘Ford Madox Ford and the Pre-Raphaelite Horrors. Or How Dante Gabriel Rossetti Started the First World War’, in Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford (Hueffer), ed. Jörg W. Rademacher (Hamburg: Lit Verlag, 2002), 30-36.

Wiesenfarth, Joseph, Ford Madox Ford and the Regiment of Women: Violet Hunt, Jean Rhys, Stella Bowen, Janice Biala (Madison: University of Wisconsin Press, 2005).

Wiesenfarth, Joseph, ‘Ford Madox Ford, Stella Bowen, Jean Rhys, Jean Lenglet: Quartet with Variations’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 175-178.
 
Wiesenfarth, Joseph, ‘Ford Madox Ford, Violet Hunt, and the Battle of the Books: Sexual/Textual Hostilities’, in Ford Madox Ford’s Modernity, ed. Robert Hampson and Max Saunders (Amsterdam: Rodopi, 2003), 209–220.
 
Wiesenfarth, Joseph, ‘The Genius and the Donkey: The Brothers Hueffer at Home and Abroad’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 129–139.
 
Wiesenfarth, Joseph (ed.), History and Representation in Ford Madox Ford’s Writings (Amsterdam and New York: Rodopi, 2004).
 
Wiesenfarth, Joseph, ‘Quartet with Variations: Ford Madox Ford, Stella Bowen, Jean Rhys, Jean Lenglet’, in Ford Madox Ford’s Cosmopolis: Psycho-Geography, Flânerie and the Cultures of Paris, ed. Alexandra Becquet and Claire Davison (Amsterdam: Brill Rodopi, 2016), 175–187.
 
Wiesenfarth, Joseph, ‘War and the Arts: James, Wells and Ford’, in Ford Madox Ford and America, ed. Sara Haslam and Seamus O’Malley (Amsterdam: Rodopi, 2012), 45–54.

Williams, Louise Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past (Cambridge: Cambridge University Press, 2002).
 
Wollaeger, Mark, Modernism, Media, and Propaganda: British Narrative from 1900 to 1945 (Princeton: Princeton University Press, 2006). [On Between St. Dennis and St. George, The Good Soldier, When Blood Is Their Argument.]
 
Wrenn, Angus, ‘Angle of Elevation: Social Class, Transport and Perception of the City in The Soul of London’, in Ford Madox Ford and the City, ed. Sara Haslam (Amsterdam: Rodopi, 2005), 41–54.
 
Wrenn, Angus, ‘Ford’s Literary Histories’, in The Routledge Research Companion to Ford Madox Ford, ed. Sara Haslam, Laura Colombino and Seamus O’Malley (London: Routledge, 2019).
 
Wrenn, Angus, ‘Henry, Hueffer, Holbein, History and Representation’, in History and Representation in Ford Madox Ford’s Writings, ed. Joseph Wiesenfarth (Amsterdam: Rodopi, 2004), 163–171.
 
Wrenn, Angus, ‘“Long Letters about Ford Madox Ford”: Ford’s Afterlife in the Work of Harold Pinter’, in Ford Madox Ford’s Literary Contacts, ed. Paul Skinner (Amsterdam: Rodopi, 2007), 225–235.
  
Wrenn, Angus, ‘The Mad Woman We Love. Ford Madox Ford, Rebecca West and Henry James’, in Ford Madox Ford and ‘The Republic of Letters’, ed. Vita Fortunati and Elena Lamberti (Bologna: CLUEB [Cooperativa Libraria Universitaria Editrice Bologna], 2002), 168-174.

Wrenn, Angus, ‘Wagner’s Ring Cycle and Parade’s End’, in Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, ed. Ashley Chantler and Rob Hawkes (Amsterdam: Rodopi, 2014), 67–80.
 
Wulfman, Clifford, ‘Ford Madox Ford and The English Review (1908–1937)’, in The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland, 1880–1955, ed. Peter Brooker and Andrew Thacker (Oxford: Oxford University Press, 2009).
 
Wulfman, Clifford, Modernism in the Magazines: An Introduction (New Haven: Yale University Press, 2010).
 
Z
Zinik, Zinovy, ‘Ford Madox Ford: Mentors, Disciples, and a Ring of Mail Conspirators’, in Ford Madox Ford: Literary Networks and Cultural Transformations, ed. Andrzej Gasiorek and Daniel Moore (Amsterdam: Rodopi, 2008), 217–242.


Dissertations on or Significantly Mentioning Ford
 
Attridge, John, 'Impressionism and Professionalism: Ford Madox Ford, Joseph Conrad, and the Performance of Authorship.' Ph.D. Diss. University of Sydney, 2007.

Banks, Gemma, ‘Impressions of an Analyst: Reassessing Sigmund Freud’s Literary Style Through a Comparative Study of the Principles and Fiction of Ford Madox Ford, Henry James, Virginia Woolf & Dorothy Richardson.’ Ph.D Diss. University of Birmingham, 2018.
 
Becquet, Alexandra, ‘Ford Madox Ford et les arts: peinture, musique et arts du spectacle dans l’oeuvre romanesque’ (‘Ford Madox Ford and the Arts: Painting, Music and the Performing Arts in the Novels’). Ph.D. Diss. University Sorbonne Nouvelle – Paris 3, 2013.
 
Bennett ,Alexandra, ‘Modernist temporalities: deathlike lives and lively deaths in Virginia Woolf, Ford Madox Ford, and Elizabeth Bowen’. Ph.D. Diss. University of Manchester, 2021.

Bonikowski, John Wyatt, ‘Traces of War: Shell Shock, Death Drive, and Narrative After the First World War.’ Ph.D. Diss. Cornell University, 2006.
 
Borkett-Jones, Lucinda Carys, 'Ford Madox Ford's Anglo-German Ambivalence: Authoring Propaganda and Negotiating Nationalism as a Literary Cosmopolitan.' Ph.D. Diss. Open University, 2019.

​Botwick, Aaron, ‘The Leap and the Gap: Writing Suicide in Modernist Britain.’ Ph.D. Diss. City University of New York, 2020. 

Brasme, Isabelle, ‘Parade’s End de Ford Madox Ford: Vers une Esthétique de la Crise’ (‘Ford Madox Ford’s Parade’s End: Towards an Aesthetics of Crisis’). Ph.D. Diss. University of Paris VII, 2008.
 
Bruen, Garrett, ‘Impressionist Fiction and Detective Fiction: Literary Foils in Ford Madox Ford’s Ouevre.’ Ph.D. Diss. The Claremont Graduate University, 2017.
 
Chantler, Ashley, ‘A Critical Edition of Ford Madox Ford’s The Questions at the Well (1893).’ Ph.D. Diss. University of Leicester, 2003.
 
Couécou, Fabienne, ‘La Trilogie England and the English au Coeur de L’écriture Fordienne’ (‘The Trilogy England and the English at the Core of Ford’s Writing’). Ph.D. Diss. University Paul Valéry, Montpellier III, 2011.

Crotti, Alessandra, ‘The Reception of the Affaire Dreyfus in British Literature and Culture, 1894–1940.’ Ph.D. Diss. Sapienza Universita Di Roma, 2020. [Section on Ford and Conrad]
 
Frayn, Andrew, ‘Writing Disenchantment: The Development of First World War Prose, 1918–1930.’ Ph.D. Diss. University of Manchester, 2008.
 
Gemelos, Michele, ‘Identity and the Empire City: British Writing About New York, 1897–1931.’ Ph. D. Diss. University of Oxford, 2007.
 
Hamilton, Jennifer, ‘A Very Secret Agent: an examination of James Brand Pinker and his circle of authors.’ Ph.D. Diss. University College London, 2018.

Harvey, Daniel, 'Amateur Modernism: Literary Responses to Professional Society', Ph.D. Diss. University of Toronto, 2013.
 
Hawkes, Rob, ‘Destabilising Narratives: Characterising, Plotting, and Trusting in Ford Madox Ford’s Fiction.’ Ph.D. Diss. University of York, 2008.
 
Karatas, Nur, ‘Ford Madox Ford and Modern Elegy: Grieving Effects and Performances of Mournfulness in Parade’s End.’ Ph.D. Diss. King’s College London, 2019.
 
Kyne, Rachel, ‘Stuck in Time: Modernist Momentums.’ Ph.D. Diss. University of Chicago, 2017.
 
Lim, Heidi Hyun-Jin, ‘Masculine Narratives of Failure and Nostalgia in British Fiction 1865 – 1928.’ Ph.D. Diss. Washington University, 2018.
 
Lynch, Sean Collins, ‘The Return of the Impressed: Written Worlds, Uncanny Readings, and Ford Madox Ford’s The Good Soldier.’ Ph.D. Diss. Institut für Englische Philologie, 2019.

McFadden, Anne E, ‘The Remnants of Harmonious Bildungs: The Classical Bildungsroman as an Ontological Dimension of the Novel of Counter-Development in England from Jane Austen to Ford Madox Ford (1813–1924).’ Ph.D. Diss. City University of New York, 2020. 
 
Murphy, John, ‘Stilted Boys and Very Plucky Girls: Melodrama, Irony, and Englishness in Joseph Conrad and Ford Madox Ford.’ Ph.D. Diss. University of Virginia, 2013.
 
Murphy, Ryan Francis. ‘The Novel of Discovery.’ PhD. Diss. The Claremont Graduate University, 2016.
 
O’Brien, Nanette R., ‘Culinary civilization: the representation of food culture in Ford Madox Ford, Gertrude Stein and Virginia Woolf’, D.Phil., University of Oxford, 2017.
 
Plastow, Jenny, ‘The Representation of Masculinity in Ford Madox Ford’s Fiction.’ Ph.D Diss. University of Hertfordshire, 2000.
 
Steedley, Elizabeth, ‘For the Duration: Global War and Satire in England and the United States.’ Ph.D. Diss. Johns Hopkins University, 2015.
 
Stoecki, Sarah, ‘Static Chaos: The Great War and Modern Novels of Sterility.’ Ph.D. Diss. University of Oregon, 2012.

Tang, Yan, ‘The Feeling of Form: Experiencing Histories in Twentieth-Century British Novel Series.’ PhD. Diss. University of Victoria, 2020. [‘Chapter One traces how nauseous form in Parade’s End allows us to experience wartime and postwar anxiety through Christopher Tietjens’s self-revolting and incoherent consciousness.’]
 
Trogdon, Ronald Lee, ‘Thinking Through the “Present Mad Muddle”: The Author as Arbiter of Reconstruction in Inter-War Britain, 1919 – 1945.’ Ph.D. Diss. Durham University, 2018.
 
Yilmaz, Hakan, ‘The Phenomenology of the Self and Others in Virginia Woolf’s The Waves, Joseph Conrad’s Lord Jim, and Ford Madox Ford’s The Good Soldier.’ Ph.D. Diss. Hacettepe University, 2017.
 
 
Compiled by Dr Emma Doolan, Southern Cross University, Australia, 2015-2020.
 
Compiled by Dr Ashley Chantler, University of Chester, UK, 2009–2015.

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